Husband and wife -- Fiction; World War, 1914-1918 -- Fiction
Today McQuade had come for the event. And with him had come Fan
McQuade, his wife. She was a tall, slender woman, unmistakably a
daughter of women who a hundred years ago and more trailed from Vermont
over into our North Country. There was strength and unspent beauty in
her face, and in spite of the argument of her three mighty sons she
seemed entirely too young to be a mate for John McQuade. Her face was
grave and there was a thrifty tidiness about her person and her speech
that made you wonder how she had ever come to marry a man like McQuade.
Of course, twenty years after the fact, you have the same wonder as to
why almost any woman married her particular man. And most of them will
tell you, in what they think are moments of truth telling, that they
quarreled with the right man, and just took this one for spite. All
of which is probably just as true--and no more so--as it is true that
distant fields are greener than the ones we are treading now.
But Augusta did wonder, on sight, how this grave faced woman had
given herself to the happy-go-lucky young greenhorn that John McQuade
probably had been twenty-five years ago. She wondered, until she heard
Fan McQuade laugh. It was a surprised, and surprising, burst of pure
merriment, beginning with a startled chuckle and ringing out into a
clear peal of sheer joy in fun. Then Augusta understood it all. This
girl of a sober race was not herself a fun maker, but she loved to
be made laugh. McQuade had made her laugh. And he had then blarneyed
his way into her heart, past religious and racial and temperamental
differences and barriers that would have stopped a thoughtful man.
However, Augusta reflected, it must have been well with them, for
McQuade was still able to make his Fan laugh. She laughed now as she
overheard the unfolding of McQuade's tale to Jimmie.
"The Divil was lookin' for a man by the name of Barney McGonigle,"
McQuade stated gravely, while Wardwell listened with the professional
interest and envy of a brother artist.
"Now, this man McGonigle, as I understand it, was a man with a
weakness. 'Twas known that he tasted spirits. He had been drunk for two
weeks. At the latter end of that time, as luck would have it, he was a
little bit wide of his bearings. He wandered into an Orange Lodge.
"The stairway going up to the Lodge room was guarded with a drawn
sword, of course. But McGonigle came _down_. He'd been resting on the
roof of the place.
"When McGonigle came in the Lodge was on its feet and they were in the
solemn act of repeating three times: 'To hell with the Pope.'
"There was some little excitement when McGonigle came in without
knockin', and he was fairly on his way to being thrown through the
window before the Grand Master could rap for order.
"There was but one of two things to be done. Either McGonigle must be
killed outright. Or he must repeat: 'To hell with the Pope,' as they
did.
Public-domain text, read in full here on John Shaqi.
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