literary work that lacks interest, might, indeed, subserve a useful purpose, but the scope of its influence is curtailed from the outset if the reader must go to it as a task and not as to a recreation. Interest breaks down the barriers between work and play. Interest fixes attention, and fixed attention is the basis of memorising. Let it freely be asserted, then, that in the selection of material for our work the principle acted on has been that, other things being equal, the best account of any historical event is the most picturesque and entertaining account,--for what, after all, does picturesqueness imply, except an approach to the vivid reproduction of the actualities? Written words are intended to be read, and any writer who, like Polybius, despises the literary graces must expect to be despised in turn, or, at least, neglected. Properly presented, the narrative of history should have all the breathless interest of a novel,--for what is so fascinating as a true story from human life? In the present work an attempt is made to raise history towards the level of fiction in point of interest, without sacrificing anything of scientific accuracy. No account is given here merely because it is picturesque, to the exclusion of a truer narrative; but the preference is always given to the graphic story as against the dull, where the two have equal authority as to matters of fact. Further to enhance the vividness of presentation, pictures are everywhere introduced. There are thousands of these pictures in the aggregate, drawn from the most varied sources, and constituting, it is believed, one of the most remarkable series of historical illustrations ever collected. All in all, then, one might describe our intention as the desire to dramatise the story of history,--for, again, what is dramatisation but the mimicry of life? Our various books and sections are the settings for the acts and scenes of the play, and it is hoped that, with the aid of the introductions by way of proem, and the pictures to aid the eye, the characters are made to move across the stage before the reader with something like the vividness of living actors. One cannot quite dare promise that there shall be no dull scenes, but it is hoped that, in the main, the play will be found to move lightly on, as with words spoken “trippingly upon the tongue.”