The historians' history of the world in twenty-five volumes, volume 03 : $b Greece to the Peloponnesian War
History
The historians' history of the world in twenty-five volumes, volume 03 : $b Greece to the Peloponnesian War
World history
It is on the whole, an unmistakable fact that a Greek state organisation
of a very remarkable character was here called into being, and formed a
combination in which old and new, foreign and native, were amalgamated;
an organization which Plato judged worthy to form the groundwork for
the plan of his ideal state. For here we actually have the latter’s
three classes: the class equipped with the wise foresight becoming
the rulers of the state; the class of “guards,” in which the virtue
of courage, with exclusion from a more liberal development by means
of art and science, was the object to be attained; and, finally, the
industrial class, the element which provided the necessaries of life,
and to which a disproportionately larger amount of arbitrary freedom was
permitted; it had but to provide for the physical support of itself and
the community generally. The first and third classes might have formed
the state by themselves, inasmuch as they sufficiently represented the
mutual relations of governing and governed. Between the two the guards,
or armed element, had thrust itself in, to the increase of stability
and durability. On this wise it came to pass that Crete was the first
country to succeed in assigning to the Dorian race a share in the ancient
community, and thus for the second time the island of Minos became a
typical starting-point for the Hellenic state organisation.
The later Crete is also better known to us by the effects which proceeded
from it, than in its internal condition like a heavenly body the
abundance of whose light is measured by its reflection on other objects.
Crete became for the Hellenes the cradle of a complicated civilisation.
Thence sprang a series of men who founded the art of sculpture in the
peculiar Hellenic form, and strewed its seeds in all Greek countries--for
Dipœnus and Scyllis, the earliest masters in marble sculptures, derived
their origin from Crete, the home of Dædalus. Other Cretans distinguished
themselves as masters in the art of divination, and as singers and
musicians who, educated in the service of Apollo, obtained such power
over the human soul, that they were summoned by foreign states to
interpose their aid in a disordered condition of the community and lay
the foundations of a sound system of government. These Cretan masters,
such as Thaletas and Epimenides, are not, however, sprung from the Dorian
race any more than are the sculptors; the new shoots had sprouted from
the old root of native culture, even if the admixture of various Greek
races had essentially contributed to the impulse of new vital activity.
Public-domain text, read in full here on John Shaqi.
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