lying loose, and at last, 30 feet from the original surface, an oblong pit-grave was found, paved with pebbles, and once roofed, which contained three female skeletons, according to Schliemann, “smothered in jewels.” A few feet to the west were presently revealed a circular altar, and beneath it another grave with five corpses, two probably female, and an even richer treasure of gold. Three more pits came to light to the northward, each adding its quota to the hoard, and then Schliemann, proclaiming that he had found Atreus and all his house, departed for Athens. But his Greek ephor, clearing out the rest of the precinct, came on yet another grave and some gold objects lying loose. Altogether there were nineteen corpses in six pits, buried, as the grave furniture showed, at different times, but all eventually included in a holy ring. [Sidenote: [_ca._ 1600-1000 B.C.]] These sepulchres were richer in gold than any found elsewhere in the world, a fact which led to an absurd attempt to establish their kinship with the later and only less golden burials of Scythians or Celts. The metal was worked up into heavy death-masks and lighter breastplates, diadems, baldrics, pendants, and armlets, often made of mere foil, and also into goblets, hairpins, engraved with combats of men and beasts, miniature balances, and an immense number of thin circular plaques and buttons with bone, clay, or wooden cores. Special mention is due to the inlays of gold and _niello_ on bronze dagger-blades, showing spiral ornament or scenes of the chase, Egyptian in motive, but non-Egyptian in style; and to little flat models of shrine-façades analogous to those devoted to Semitic pillar-worship. The ornament on these objects displayed a highly developed spiraliform system, and advanced adaptation of organic forms, especially octopods and butterflies, to decorative uses. The shrines, certain silhouette figurines, and one cup bear moulded doves, and plant forms appear inlaid in a silver vessel. The last-named metal was much rarer than gold, and used only in a few conspicuous objects, notably a great hollow ox-head with gilded horns and frontal rosette, a roughly modelled stag, and a cup, of which only small part remains, chased with a scene of nude warriors attacking a fort. Bronze swords and daggers and many great cauldrons were found, with arrow-heads of obsidian, and also a few stone vases, beads of amber, intaglio gems, sceptre heads of crystal, certain fittings and other fragments made of porcelain and paste, and remains of carved wood. Along with this went much pottery, mostly broken by the collapse of the roofs. It begins with a dull painted ware, which we now know as late “proto-Mycenæan”; and it develops into a highly glazed fabric, decorated with spiraliform and marine schemes in lustrous paint, and showing the typical forms, false-mouthed _amphoræ_ and long-footed vases, now known as essentially Mycenæan. The loose objects found outside the circle include the best