In his clothes, shoes, and other parts of his dress, he neither followed the usage of his country, his sex, nor indeed any fashion suitable to a human creature. He would often appear abroad dressed in an embroidered coat set with jewels, in a tunic with sleeves, and with bracelets upon his arms; sometimes all in silks and habited like a woman; at other times in the _crepidæ_ or buskins; sometimes in a sort of shoes used by the meaner soldiers, or those of women, and commonly with a golden beard fixed to his chin, holding in his hand a thunderbolt, a trident, or a caduceus, marks of distinction belonging to the Gods only. Sometimes too he appeared in the dress of Venus. He wore very commonly the triumphal dress, even before his expedition, and sometimes the breast-plate of Alexander the Great, taken out of the vault where his body lay. In respect of the liberal sciences, he was little conversant in philology, but applied himself with assiduity to the study of eloquence, being indeed in point of enunciation sufficiently elegant and ready; and these qualities appeared most conspicuous when he happened to be in a passion. In speaking, his action was vehement, and his voice so strong that he was heard at a great distance. When he was about to harangue, he threatened “the sword of his lucubration.” He so much despised a soft smooth style that he said Seneca, who was then much admired, “wrote only boyish declamations,” and that “his language was nothing else but sand without lime.” When pleaders were successful in a cause, he often wrote answers to their speeches; and would exercise himself in composing accusations or vindications of eminent persons that were impeached before the senate; and according to his success he would exasperate or assuage the situation of the party by his vote in the house; inviting the equestrian order, by proclamation, to hear him.