The Historical Child: Paidology; The Science of the ChildChrisman, Oscar
History
The Historical Child: Paidology; The Science of the Child
Chrisman, Oscar
Children; Manners and customs
"It is needless to say that the seventh and last reason is the one
frequently availed of, or pretended. The Japanese think it is a good
rule that works but one way. The husband is not divorced from the wife
for these equal reasons. Of course, woman in Japan, by her tact, tongue,
graces, and charms, is able to rule her husband generally by means
invisible to the outer world, but none the less potent. Though man holds
the sword, the pen, and divorce, and glories in his power, yet woman, by
her finer strength, in hut as in palace hall, rules her lord."[115]
=The Mother's Memorial.= "A sight not often met with in the cities, but
in the suburbs and country places frequent as the cause of it requires,
is the _nagaré kanjō_ (flowing invocation). A piece of cotton cloth is
suspended by its four corners to stakes set in the ground near a brook,
rivulet, or, if in the city, at the side of the water-course which
fronts the houses of the better classes. Behind it rises a higher,
lath-like board, notched several times near the top, and inscribed with
a brief legend. Resting on the cloth at the brookside, or, if in the
city, in a pail of water, is a wooden dipper. Perhaps upon the four
corners, in the upright bamboo, may be set bouquets of flowers. A
careless stranger may not notice the odd thing, but a little study of
its parts reveals the symbolism of death. The tall lath tablet is the
same as that set behind graves and tombs. The ominous Sanskrit letters
betoken death. Even the flowers in their bloom call to mind the tributes
of affectionate remembrance which loving survivors set in the sockets of
the monuments in the grave-yards. On the cloth is written a name such as
is given to persons after death, and the prayer, '_Namu miō, hō ren ge
kiō_' (Glory to the salvation-bringing Scriptures). Waiting long enough,
perchance but a few minutes, there may be seen a passer-by who pauses,
and, devoutly offering a prayer with the aid of his rosary, reverently
dips a ladleful of water, pours it upon the cloth, and waits patiently
until it has strained through, before moving on.
"All this, when the significance is understood, is very touching. It is
the story of vicarious suffering, of sorrow from the brink of joy, of
one dying that another may live. It tells of mother-love and mother-woe.
It is a mute appeal to every passer-by, by the love of Heaven, to
shorten the penalties of a soul in pain.
Public-domain text, read in full here on John Shaqi.
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