The Historical Child: Paidology; The Science of the ChildChrisman, Oscar
History
The Historical Child: Paidology; The Science of the Child
Chrisman, Oscar
Children; Manners and customs
When the evenings were pleasant they were spent out-of-doors, and on
pleasant moonlight evenings almost the entire population of a town would
be on its streets. At other times the evenings would be spent in the
home, the entire family being together, including the grandparents and
even the servants. Sometimes the father would tell stories of Japanese
history and of folk-lore, sometimes they would play chess and checkers,
but the greatest time was spent with cards. One such game was known as
"The poems of a hundred poets." On one card was written the half of one
hundred famous Japanese poems and the other half on another card, half
of these cards being distributed among the players and the other half
being given to a reader. The reader would call off the half of one poem
and the one having the other half would call back and this would
continue till all the cards were matched. There was dancing of evenings,
usually by the young women, sometimes by the men, but, perhaps, never by
men and women together. In some places of moonlight nights the young
people would dance all night in the streets or open places near the
castle-gates.
"Among the ghostly games intended to test the courage of, or perhaps to
frighten, children, are two plays called, respectively, 'Hiyaku
Monogatari' and 'Kon-daméshi,' or the 'One Hundred Stories' and
'Soul-examination.' In the former play a company of boys and girls
assemble round the hibachi, while they, or an adult, an aged person or a
servant, usually relate ghost-stories, or tales calculated to straighten
the hair and make the blood crawl. In a distant dark room, a lamp (the
usual dish of oil), with a wick of one hundred strands or piths, is set.
At the conclusion of each story, the children in turn must go to the
dark room and remove a strand of the wick. As the lamp burns down low,
the room becomes gloomy and dark, and the last boy, it is said, always
sees a demon, a huge face, or something terrible. In the 'Kon-daméshi,'
or 'Soul-examination,' a number of boys, during the day plant some flags
in different parts of a graveyard, under a lonely tree, or by a haunted
hillside. At night, they meet together, and tell stories about ghosts,
goblins, devils, etc.; and at the conclusion of each tale, when the
imagination is wrought up, the hair begins to rise and the marrow to
curdle, the boys, one at a time, must go out in the dark and bring back
the flags, until all are brought in."[121]
Public-domain text, read in full here on John Shaqi.
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