There were no theatrical entertainments in the early times of Rome. In 364 B. C., during a plague which could not be stopped, to appease the wrath of the gods scenic performances were first introduced into Rome. Actors from Etruria were brought to Rome, who gave mimic dances to the accompaniment of a flute. For a long time there were no theaters erected at Rome, a temporary wooden stage being erected for the occasion. Later wooden theaters were built and then torn down after the performances were over, being used but one time. The first stone theater was built on the Campus Martius in 55 B. C. by Pompey, and which was large enough to hold 40,000 people. Comedies, tragedies, and pantomimes were given. Tragedy was never popular with the masses as they were too much used to seeing real tragedies enacted in the arena for any great impression to be made upon them by the imitations of the stage. Pantomime attained to the most significance of all performances upon the Roman stage and especially under the empire. The professional actors were mostly slaves and freedmen or natives of other countries, as there was a prejudice against the profession in Rome. Noted actors were paid high fees for their performances. Many of the most famous actors belonged to the imperial households. The last of the great spectacles were the athletic, literary and musical contests. These contests were not common under the republic but they grew on the people till they became popular under the empire. Athletic contests were first introduced into Rome at the same time as the exhibit of wild animals and by the same person, in 186 B. C., by Marcus Fulvius Nobilior, who brought athletes from Greece for the purpose. These contests continued to be given and they increased in popularity till a stadium for them was built in 28 B. C. on the Campus Martius and the demand from the people became so great that the officials who provided the state games included athletic contests with the other games. The Capitoline Agon was instituted by Domitian in 86 A. D., and it took rank with the Olympian. For these contests he built a stadium large enough to accommodate 30,000 or more spectators. There were contests in oratory and poetry, in music, and in athletics. The oratorical contests ceased in later times, but those in poetry increased in importance and the most talented poets in the empire competed for the prize of oak-wreath, bestowed by the emperor upon the winner after the decision of the judges. The gymnastic contests for men and boys were the same as in Greece. The Spartan custom of races for girls was introduced but soon discontinued because of the feeling against it.