The Historical Child: Paidology; The Science of the ChildChrisman, Oscar
History
The Historical Child: Paidology; The Science of the Child
Chrisman, Oscar
Children; Manners and customs
During the Middle Ages dress was a distinguishing mark of very great
importance. The king needed to be arrayed in gorgeous robes of rich
texture and color, as his dignity require such; the city officers, in
keeping with the pride of the city, must be clothed in brilliant attire;
the sign of power and greatness of the nobles was displayed in the showy
livery of their retainers; and the uniform of the craft-guilds was a
badge of their importance in the life of the people and of the nation.
During the most of this period there was great luxury in dress among the
noble and wealthy. Silks, satins, velvets, scarlet cloths, fine cloths
of gold and silver, and rich furs were used in the apparel of both
sexes, and not only was the finest and best of their own land used, but
also fine materials were brought in from other countries. Not only was
the clothing very costly, but also there was a striving for a large
amount, so that the expenditure for dress was very great.
The men dressed as fanciful and elaborately as did the women and the
styles changed quite as often and as differently. At one time they wore
a close-fitting tunic with tight or short sleeves and a short cloak; at
a later time they wore a long gown with long, full sleeves, and again
their clothing was padded, the shoulders being made as broad as
possible. Sometimes the colors of the garments would be of one hue or
well matched, and again there would be one garment of one color and
another of an entirely different color, and even the parts of the same
garment would not be of the same color. "A dandy of the fourteenth
century is thus described: 'He wore long pointed shoes, fastened to his
knees by gold or silver chains; hose of one color on one leg, and of
another color on the other. Short breeches, not reaching to the middle
of the thigh; a coat, one-half white, and the other half black or blue;
a long beard, a silk band buttoned under his chin, embroidered with
grotesque figures of animals, dancing men, etc., and sometimes
ornamented with gold, silver, and precious stones.'"[209]
The women wore long dresses reaching to the ground and sometimes with
long trains. At times the bodices fit closely and were low in the neck,
while in another time the body was encased in whalebone to the hips and
the shoulders supported an enormous ruff, as much as three feet or more
in width. Men also wore the ruff. The ladies used paint on their faces
and adorned them with black patches as "beauty spots."
Men and women of the working classes dressed more simply than the upper
classes, usually wearing short tunics with small sleeves and with hoods
for outdoors. But they, too, dressed up for special occasions and at
times they were arrayed in highly-colored and costly garments and even
at times vied with the upper classes, in spite of laws passed to prevent
people from dressing above their stations.
Public-domain text, read in full here on John Shaqi.
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