The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
Apart, over by the fire, in a great chair of gilt leather, lounged the
King, languidly observing this smaller party, a faint, indolent smile
on his swarthy, saturnine countenance. Absently, with one hand he
stroked a little spaniel that was curled in his lap. A black boy in a
gorgeous, plumed turban and a long, crimson surcoat arabesqued in
gold—there were three or four such attendants about the room—proffered
him a cup of posset on a golden salver.
The King rose, thrust aside the little blackamoor, and with his spaniel
under his arm, sauntered across to Miss Stewart’s table. Soon he found
himself alone with her—the others having removed themselves on his
approach, as jackals fall back before the coming of the lion. The last
to go, and with signs of obvious reluctance, was his Grace of Richmond,
a delicately-built, uncomely, but very glittering gentleman.
Charles faced her across the table, the tall house of cards standing
between them.
Miss invited his Majesty’s admiration for my Lord of Buckingham’s
architecture. Pouf! His Majesty blew, and the edifice rustled down to a
mere heap of cards again.
“Symbol of kingly power,” said Miss, pertly. “You demolish better than
you build, sire.”
“Oddsfish! If you challenge me, it were easy to prove you wrong,” quoth
he.
“Pray do. The cards are here.”
“Cards! Pooh! Card castles are well enough for Buckingham. But such is
not the castle I’ll build you if you command me.”
“I command the King’s Majesty? Mon Dieu! But it would be treason
surely.”
“Not greater treason than to have enslaved me.” His fine eyes were
oddly ardent. “Shall I build you this castle, child?”
Miss looked at him, and looked away. Her eyelids fluttered
distractingly. She fetched a sigh.
“The castle that your Majesty would build for any but your Queen must
prove a prison.”
She rose, and, looking across the room, she met the handsome, scowling
eyes of the neglected favourite. “My Lady Castlemaine looks as if she
feared that fortune were not favouring her.” She was so artless that
Charles could not be sure there was a double meaning to her speech.
“Shall we go see how she is faring?” she added, with a disregard for
etiquette, whose artlessness he also doubted.
He yielded, of course. That was his way with beauty, especially with
beauty not yet reduced into possession. But the characteristic urbanity
with which he sauntered beside her across the room was no more than a
mask upon his chagrin. It was always thus that pretty Frances Stewart
used him. She always knew how to elude him and, always with that cursed
air of artlessness, uttered seemingly simple sentences that clung to
his mind to tantalize him.
“The castle your Majesty would build for any but your Queen must prove
a prison.” What had she meant by that? Must he take her to queen before
she would allow him to build a castle for her?
Public-domain text, read in full here on John Shaqi.
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