The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
There was no more to be said. A consistory court was assembled to
divorce them. But since with the best intentions there was no faintest
evidence of her adultery, this court had to be content to pronounce the
divorce upon the ground of her desertion.
She protested against the iniquity of this. But she protested in vain.
She was carried off into the grim captivity of a castle on the Ahlen,
to drag out in that melancholy duress another thirty-two years of life.
Her death took place in November of 1726. And the story runs that on
her death-bed she delivered to a person of trust a letter to her
sometime husband, now King George I. of England. Seven months later, as
King George was on his way to his beloved Hanover, that letter was
placed in his carriage as it crossed the frontier into Germany. It
contained Sophia’s dying declaration of innocence, and her solemn
summons to King George to stand by her side before the judgment-seat of
Heaven within a year, and there make answer in her presence for the
wrongs he had done her, for her blighted life and her miserable death.
King George’s answer to that summons was immediate. The reading of that
letter brought on the apoplectic seizure of which he died in his
carriage next day—the 9th of June, 1727—on the road to Osnabruck.
XI. THE TYRANNICIDE
Charlotte Corday and Jean Paul Morat
Tyrannicide was the term applied to her deed by Adam Lux, her lover in
the sublimest and most spiritual sense of the word—for he never so much
as spoke to her, and she never so much as knew of his existence.
The sudden spiritual passion which inflamed him when he beheld her in
the tumbril on her way to the scaffold is a fitting corollary to her
action. She in her way and he in his were alike sublime; her tranquil
martyrdom upon the altar of Republicanism and his exultant martyrdom
upon the altar of Love were alike splendidly futile.
It is surely the strangest love-story enshrined in history. It has its
pathos, yet leaves no regrets behind, for there is no might-have-been
which death had thwarted. Because she died, he loved her; because he
loved her, he died. That is all, but for the details which I am now to
give you.
The convent-bred Marie Charlotte Corday d’Armont was the daughter of a
landless squire of Normandy, a member of the _chétive noblesse_, a man
of gentle birth, whose sadly reduced fortune may have predisposed him
against the law of entail or primogeniture—the prime cause of the
inequality out of which were sprung so many of the evils that afflicted
France. Like many of his order and condition he was among the earliest
converts to Republicanism—the pure, ideal republicanism, demanding
constitutional government of the people by the people, holding
monarchical and aristocratic rule an effete and parasitic anachronism.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account