The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
That was all. The fiction that she was going to England was intended to
save him pain. For she had so laid her plans that her identity should
remain undisclosed. She would seek Marat in the very Hall of the
Convention, and publicly slay him in his seat. Thus Paris should behold
Nemesis overtaking the false Republican in the very Assembly which he
corrupted, and anon should adduce a moral from the spectacle of the
monster’s death. For herself she counted upon instant destruction at
the hands of the furious spectators. Thus, thinking to die
unidentified, she trusted that her father, hearing, as all France must
hear, the great tidings that Marat was dead, would never connect her
with the instrument of Fate shattered by the fury of the mob.
You realize, then, how great and how terrible was the purpose of this
maid of twenty-five, who so demurely took her seat in the Paris
diligence on that July morning of the Year 2 of the Republic—1793, old
style. She was becomingly dressed in brown cloth, a lace fichu folded
across her well-developed breast, a conical hat above her light brown
hair. She was of a good height and finely proportioned, and her
carriage as full of dignity as of grace. Her skin was of such white
loveliness that a contemporary compares it with the lily. Like Athene,
she was gray-eyed, and, like Athene, noble-featured, the oval of her
face squaring a little at the chin, in which there was a cleft. Calm
was her habit, calm her slow-moving eyes, calm and deliberate her
movements, and calm the mind reflected in all this.
And as the heavy diligence trundles out of Caen and takes the open
country and the Paris road, not even the thought of the errand upon
which she goes, of her death-dealing and death-receiving mission, can
shake that normal calm. Here is no wild exaltation, no hysterical
obedience to hotly-conceived impulse. Here is purpose, as cold as it is
lofty, to liberate France and pay with her life for the privilege of
doing so.
That lover of hers, whom we are presently to see, has compared her
ineptly with Joan of Arc, that other maid of France. But Joan moved
with pomp in a gorgeous pageantry, amid acclamations, sustained by the
heady wine of combat and of enthusiasm openly indulged, towards a goal
of triumph. Charlotte travelled quietly in the stuffy diligence with
the quiet conviction that her days were numbered.
So normal did she appear to her travelling companions, that one among
them, with an eye for beauty, pestered her with amorous attentions, and
actually proposed marriage to her before the coach had rolled over the
bridge of Neuilly into Paris two days later.
Public-domain text, read in full here on John Shaqi.
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