The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
Having changed into a gray-striped dimity gown—you observe this further
manifestation of a calm so complete that it admits of no departure from
the ordinary habits of life—she goes forth to deliver in person this
second letter, the knife concealed in the folds of the muslin fichu
crossed high upon her breast.
In a mean, brick-paved, ill-lighted, and almost unfurnished room of
that house in the Rue de l’Ecole de Médecine, the People’s Friend is
seated in a bath. It is no instinct of cleanliness he is obeying, for
in all France there is no man more filthy in his person and his habits
than this triumvir. His bath is medicated. The horrible, loathsome
disease that corrodes his flesh demands these long immersions to quiet
the gnawing pains which distract his active, restless mind. In these
baths he can benumb the torment of the body with which he is
encumbered.
For Marat is an intellect, and nothing more—leastways, nothing more
that matters. What else there is to him of trunk and limbs and organs
he has neglected until it has all fallen into decay. His very lack of
personal cleanliness, the squalor in which he lives, the insufficient
sleep which he allows himself, his habit of careless feeding at
irregular intervals, all have their source in his contempt for the
physical part of him. This talented man of varied attainments,
accomplished linguist, skilled physician, able naturalist and profound
psychologist, lives in his intellect alone, impatient of all physical
interruptions. If he consents to these immersions, if he spends whole
days seated in this medicated bath, it is solely because it quenches or
cools the fires that are devouring him, and thus permits him to bend
his mind to the work that is his life. But his long-suffering body is
avenging upon the mind the neglect to which it has been submitted. The
morbid condition of the former is being communicated to the latter,
whence results that disconcerting admixture of cold, cynical cruelty
and exalted sensibility which marked his nature in the closing years of
his life.
In his bath, then, sat the People’s Friend on that July evening,
immersed to the hips, his head swathed in a filthy turban, his
emaciated body cased in a sleeveless waistcoat. He is fifty years of
age, dying of consumption and other things, so that, did Charlotte but
know it, there is no need to murder him. Disease and Death have marked
him for their own, and grow impatient.
A board covering the bath served him for writing-table; an empty wooden
box at his side bore an inkstand, some pens, sheets of paper, and two
or three copies of L’Ami do Peuple. There was no sound in the room but
the scratch and splutter of his quill. He was writing diligently,
revising and editing a proof of the forthcoming issue of his paper.
Public-domain text, read in full here on John Shaqi.
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