The hand still grasping the pen trailed on the ground beside the bath at the end of his long, emaciated arm. His body sank sideways in the same direction, the head lolling nervelessly upon his right shoulder, whilst from the great rent in his breast the blood gushed forth, embruing the water of his bath, trickling to the brick-paved floor, bespattering—symbolically almost—a copy of L’Ami du Peuple, the journal to which he had devoted so much of his uneasy life. In answer to that cry of his came now Simonne in haste. A glance sufficed to reveal to her the horrible event, and, like a tigress, she sprang upon the unresisting slayer, seizing her by the head, and calling loudly the while for assistance. Came instantly from the anteroom Jeanne, the old cook, the Fortress of the house, and Laurent Basse, a folder of Marat’s paper; and now Charlotte found herself confronted by four maddened, vociferous beings, at whose hands she may well have expected to receive the death for which she was prepared. Laurent, indeed, snatched up a chair, and felled her by a blow of it across her head. He would, no doubt, have proceeded in his fury to have battered her to death, but for the arrival of _gens d’armes_ and the police commissioner of the district, who took her in their protecting charge. The soul of Paris was convulsed by the tragedy when it became known. All night terror and confusion were abroad. All night the revolutionary rabble, in angry grief, surged about and kept watch upon the house wherein the People’s Friend lay dead. That night, and for two days and nights thereafter, Charlotte Corday lay in the Prison of the Abbaye, supporting with fortitude the indignities that for a woman were almost inseparable from revolutionary incarceration. She preserved throughout her imperturbable calm, based now upon a state of mind content in the contemplation of accomplished purpose, duty done. She had saved France, she believed; saved Liberty, by slaying the man who would have strangled it. In that illusion she was content. Her own life was a small price to pay for the splendid achievement. Some of her time of waiting she spent in writing letters to her friends, in which tranquilly and sanely she dwelt upon what she had done, expounding fully the motives that had impelled her, dwelling upon the details of the execution, and of all that had followed. Among the letters written by her during those “days of the preparation of peace “—as she calls that period, dating in such terms a long epistle to Barbaroux—was one to the Committee of Public Safety, in which she begs that a miniature-painter may be sent to her to paint her portrait, so that she may leave this token of remembrance to her friends. It is only in this, as the end approaches, that we see in her conduct any thought for her own self, any suggestion that she is anything more than a instrument in the hands of Fate.