The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
She mounted the tumbril awaiting in the prison yard, and, disdaining
the chair offered her by Sanson, remained standing, to show herself
dauntless to the mob and brave its rage. And fierce was that rage,
indeed. So densely thronged were the streets that the tumbril proceeded
at a crawl, and the people surging about the cart screamed death and
insult at the doomed woman. It took two hours to reach the Place de la
Révolution, and meanwhile a terrific summer thunderstorm had broken
over Paris, and a torrential rain had descended upon the densely packed
streets. Charlotte’s garments were soaked through and through, so that
her red smock, becoming glued now to her body and fitting her like a
skin, threw into relief its sculptural beauty, whilst a reflection of
the vivid crimson of the garment faintly tinged her cheeks, and thus
heightened her appearance of complete composure.
And it is now in the Rue St. Honoré that at long last we reach the
opening of our tragic love-story.
A tall, slim, fair young man, named Adam Lux—sent to Paris by the city
of Mayence as Deputy Extraordinary to the National Convention—was
standing there in the howling press of spectators. He was an
accomplished, learned young gentleman, doctor at once of philosophy and
of medicine, although in the latter capacity he had never practiced
owing to an extreme sensibility of nature, which rendered anatomical
work repugnant to him. He was a man of a rather exalted imagination,
unhappily married—the not uncommon fate of such delicate
temperaments—and now living apart from his wife. He had heard, as all
Paris had heard, every detail of the affair, and of the trial, and he
waited there, curious to see this woman, with whose deed he was
secretly in sympathy.
The tumbril slowly approached, the groans and execrations swelled up
around him, and at last he beheld her—beautiful, serene, full of life,
a still smile upon her lips. For a long moment he gazed upon her,
standing as if stricken into stone. Then heedless of those about him,
he bared his head, and thus silently saluted and paid homage to her.
She did not see him. He had not thought that she would. He saluted her
as the devout salute the unresponsive image of a saint. The tumbril
crawled on. He turned his head, and followed her with his eyes for
awhile; then, driving his elbows into the ribs of those about him, he
clove himself a passage through the throng, and so followed,
bare-headed now, with fixed gaze, a man entranced.
He was at the foot of the scaffold when her head fell. To the last he
had seen that noble countenance preserve its immutable calm, and in the
hush that followed the sibilant fall of the great knife his voice
suddenly rang out.
“She is greater than Brutus!” was his cry; and he added, addressing
those who stared at him in stupefaction: “It were beautiful to have
died with her!”
Public-domain text, read in full here on John Shaqi.
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