The historical novel : $b An essayButterfield, Herbert
History
The historical novel : $b An essay
Butterfield, Herbert
Historical fiction -- History and criticism
Revolution,” thrown across “the deep and distant Heavens, against a
background at once serene and tragic.” It is significant enough that he
can think of the Revolution as something like that.
Those chapters of the novel, however, which describe “the streets of
Paris at that time,” the conversation between Robespierre, Danton, and
Marat, and the Convention itself, and the Vendée, are weighed down
by an accumulation of significant and often grim detail, a piling-up
of incident upon incident, and example upon example. In these the
Revolution is not only shown as having a character, a profile, but
also is revealed as being a living thing, a vivid many-sided creature,
betraying its character in a host of unexpected ways, flashing out in
a thousand fresh surprises, in a multiplicity of manifestations. It
is shown to be like Nature that sends out a crocus here, a daffodil
there, green buds and almond blossom somewhere else, and the song of
the birds everywhere, all of them saying in a number of ways that the
Spring has come. It comes to us like the wind that moves the grass
and the weather-vane, the smoke and the sailing-ship and the creaking
door--and in a score of different voices makes itself heard to men. The
mass of detail reveals the Revolution as an intricate thing, a complex
tangle perhaps, but most of all as a vivid many-sided life, a unity in
a hundred variations, a principle that is for ever finding a host of
new ways of expressing itself.
Hugo described the Convention by heaping up a store of details, and
burdening his whole chapter with a weight of concrete instances. Each
of these was significant in itself and showed the Revolution in some
way leaping out and leaving its mark in history; and the cumulative
effect of the whole revealed the bewildering variety of the processes
and the life of the Revolution. Before he closed the description,
however, he wrote a few paragraphs that reveal the key-idea of the
whole. He had been speaking of the men of the Convention, he had
already turned aside to tell us that the Convention “had a life,” and
he had piled up a host of instances of how that life had broken through
into incident and action, and had mentioned the turbulent spirits that
made up the life of the Assembly.
Public-domain text, read in full here on John Shaqi.
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