The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
There is certainly some confusion as to the hand on which the
marriage-ring was placed. However, in religious symbols of espousal,
the distinction of the right hand was certainly kept. In an ancient
pontifical was an order that the bridegroom should place the ring
successively on three fingers of the right hand and leave it on the
fourth finger of the left, in order to mark the difference between
the marriage-ring, the symbol of a love which is mixed with carnal
affection and the episcopal ring, the symbol of entire chastity.[331]
The espousal became the marriage-ring. The esponsais consisted in
a mutual promise of marriage, which was made by the man and woman
before the bishop or presbyter and several witnesses; after which,
the articles of agreement of marriage (called _tabulæ matrimoniales_)
which are mentioned by Augustin, were signed by both persons. After
this, the man delivered to the woman the ring and other gifts: an
action which was termed _subarrhation_. In the latter ages the
espousals have always been performed at the same time as the office
of matrimony, both in the western and eastern churches; and it has
long been customary for the ring to be delivered to the woman after
the contract has been made, which has always been in the actual
office of matrimony.[332]
According to Clemens Alexandrinus, the ring was given, not as an
ornament but as a seal to signify the woman’s duty in preserving the
goods of her husband, because the care of the house belongs to her.
This idea, by the by, is very reasonable, as we shall hereafter show,
when speaking of the ritual of the Church of England. The symbolical
import of the “wedding ring,” under the spiritual influence of
Christianity, came to comprise the general idea of wedded fidelity in
all the width and importance of its application.[333]
§ 6. The first Christians engraved upon their seals symbolical
figures, such as a dove, fish, anchor or lyre.[334] The rings used in
their fyancels represented pigeons, fish, or, more often, two hands
joined together. Clemens of Alexandria, who permitted these symbols,
condemns not only the representation of idols, but also of the
instruments of war, vases for the table and every thing repugnant to
the strictness of the Gospel.
A ring, when used by the church, signifies, to use the words of
liturgical writers, _integritatem fidei_, the perfection of fidelity
and is _fidei sacramentum_, the badge of fidelity.[335]
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