The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
§ 24. Authors of fiction, from early times, have made use of rings
for their scenes. Shakspeare not unfrequently introduces them; indeed
the most interesting portion of _Cymbeline_ is worked up through the
wager of a ring as to the honor of the heroine. Imogen, in taking
leave of Posthumus, says:
“------ Look here, love;
This diamond was my mother’s; take it, heart;
But keep it till you woo another wife,
When Imogen is dead.
_Posthumus_. How! how! another?
You gentle gods, give me but this I have,
And sear up my embracements from a next
With bonds of death! Remain thou here,
(_Putting on the ring_,)
While sense can keep it on.”
And he, then, exchanges for it, “a manacle of love,” a bracelet,
placing it upon her arm, that “fairest prisoner.” Iachimo induced
Posthumus to wager this ring, which he esteemed “more than the world
enjoys”--but it is unnecessary to go further: for who has not read
Shakspeare?
§ 25. Roman iron rings, wrought with much care and having precious
stones, but minute enough for a child, have been found. One or two
of them are mentioned and illustrated in Caylus,[375] who, no doubt
rightly, considers they were intended for the finger of a domestic
deity or household god.
[Illustration: (Roman Child’s Iron Ring)]
The Romans clung to their home deities; and this is the best part
of their character. One of the most beautiful of the antique draped
figures, cut upon a signet, represents a woman contemplating a
household god,[376] “a symbol of that domestic affection which
the ancients, exalted almost blamelessly, into an object of divine
homage.”[377]
[Illustration: (Woman Contemplating Household Gods)]
It was on this particular gem that Croly wrote these charming lines:
“Domestic love! not in proud palace halls
Is often seen thy beauty to abide;
Thy dwelling is in lowly cottage walls,
That in the thickets of the woodbine hide;
With hum of bees around, and from the spring,
Shining along thro’ banks with harebells dyed;
And many a bird to warble on the wing,
When morn her saffron robe o’er heaven and earth doth fling.
O! love of loves!--to thy white hand is given
Of earthly happiness the golden key!
“Thine are the joyous hours of winter’s even,
When the babes cling around their father’s knee;
And thine the voice that, on the midnight sea,
Melts the rude mariner with thoughts of home,
Peopling the gloom with all he longs to see.
Spirit! I’ve built a shrine; and thou hast come;
And on its altar closed--for ever closed thy plume!”
Public-domain text, read in full here on John Shaqi.
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