The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
The forget-me-not stone, turquoise or Turkey stone, “ceruleous like
unto a serene heaven,” if worn in a ring of gold will, it is said,
preserve men from falls and from the bruises proceeding of them by
receiving that harm into itself which otherwise would fall upon
the man; yet these virtues are said not to be in the gem except it
has been received as a gift. “The Turkeys,” says Fenton, in his
Secrete Wonders of Nature,[188] “doth move when there is any peril
prepared to him that weareth it.” Ben Jonson and Drayton refer to
the same superstition. Rueus says, that he saw a _Turchoys_, which,
upon the death of its master, lost all its beauty and contracted a
cleft, which, a certain man afterwards buying at an under price,
returned again to its former glory and beauty, as if, observes he,
by a certain sense, it had perceived itself to have found a new
master. The same author says of it that it doth change, grow pale
and destitute of its native color if he that weareth it do, at any
time, grow infirm or weak; and again, upon the recovery of its
master, that it doth recover its own lovely beauty, which ariseth of
the temperament of its own natural heat and becometh ceruleous like
unto a serene heaven. According to the ancients, the wearing of the
turquoise had a most excellent quality: it destroyed animosity and,
in particular, appeased discord between man and wife.
It is possible that Shakspeare had in his mind the seeming influence
of the turquoise (as well as its value):
“_Tubal._ One of them showed me a ring, that he had of your
daughter for a monkey.
“_Shylock._ Out upon her! Thou torturest me, Tubal; it was my
turquoise; I had it of Leah, when I was a bachelor: I would not
have given it for a wilderness of monkeys.”
The Arabs value the turquoise chiefly for its reputed talismanic
qualities; and they seek for large pieces, without particular
reference to purity of color. The stones intended for amulets are
usually set in small rings of plated tin.
The wearing of coral in a ring has been thought of power to “hinder
the delusions of the devil, and to secure men from _Incubus_ and
_Succubus_.”[189]
All remember Shakspeare’s beautiful exposition of adversity:
“Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head.”[190]
Public-domain text, read in full here on John Shaqi.
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