The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
Amulet rings have been used by persons calling themselves Christians
even in, comparatively, late times. Caylus gives one covered with
letters of the twelfth century. The body of the ring is simple and
square; each of its surfaces is completely filled with characters,
skilfully engraved.
The words are barbarous and the whole is senseless--the name of Jesus
Christ abbreviated with the words Alpha, Adonai and Agla and the
cross repeated appear here as they frequently do upon amulets. At the
end of the lines, two Arabic characters are distinctly marked 7. I.
These sort of characters did not pass, according to common opinion,
from Africa to Spain until the tenth century; and it was through
Spain that they were communicated to other parts of Europe. Rings of
the shape of this one and for similar use often inclosed sprigs of
some herb or hair or other light substance. The present one, however,
is said to be solid and does not contain any foreign matter.
A gold ring has been found in the palace at Eltham in Kent,
England.[206] It is set with an oriental ruby and five diamonds,
placed at equal distances round the exterior. The interior is plain,
but on the sides is this inscription:
Qui me portera exploitera
Et a grand joye revendra.
or,
Who wears me shall perform exploits;
And with great joy shall return.
From these lines it is evident that the ring has been worn as an
amulet; and there is a very probable conjecture that it may have been
presented to some distinguished personage when he was on the point
of setting out for the Holy Land, in the time of the Crusades. The
inscription is in small Gothic letters, but remarkably well formed
and legible. The shape of the ruby, which is the principal stone, is
an irregular oval, while the diamonds are all of a triangular form
and in their native or crystallized state.
A ring of gold was found at Coventry in England. It is evidently
an amulet. The centre device represents Christ rising from the
sepulchre, and in the background are shown the hammer, sponge and
other emblems of his passion. On the left is figured the _wound of
the side_, with the following legend: “_The well of everlasting
lyffe._” In the next compartment two small wounds, with “_The well of
comfort_,” “_The well of grace_;” and afterwards, two other wounds,
with the legends of “_The well of pity_,” “_The well of merci_.” On
the inside is an inscription in Latin which embraces the amulet,
having reference to the three kings of Cologne.[207]
Sir Edmund Shaw, goldsmith and alderman of London, directed by
his will _circa_ 1487, to be made “16 Rings of fyne Gold, to be
graven with the well of pitie, the well of mercie and the well of
everlasting life.”
Public-domain text, read in full here on John Shaqi.
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