The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
“In the St. Vitus’s dance, patients often experience divinatory
visions of a fugitive nature, either referring to themselves or
to others and occasionally in symbolic words. In the ‘Leaves from
Prevorst,’ such symbolic somnambulism is related, and I myself
have observed a very similar case: Miss v. Brand, during a violent
paroxysm of St. Vitus’s dance, suddenly saw a black evil-boding crow
fly into the room, from which, she said, she was unable to protect
herself, as it unceasingly flew round her as if it wished to make
some communication. This appearance was of daily occurrence with the
paroxysm for eight days afterwards. On the ninth, when the attacks
had become less violent, the vision commenced with the appearance of
a white dove, which carried a letter containing a betrothal ring in
its beak; shortly afterwards the crow flew in with a black-sealed
letter. The next morning the post brought a letter with betrothal
cards from a cousin; and a few hours after, the news was received of
the death of her aunt in Lohburg, of whose illness she was ignorant.
Of both these letters, which two different posts brought in on the
same day, Miss v. Brand could not possibly have known any thing. The
change of birds and their colors, during her recovery and before the
announcement of agreeable or sorrowful news, the symbols of the ring
and the black seal, exhibit, in this vision, a particularly pure
expression of the soul as well as a correct view into the future.”
§6. Some of the finest scenes in Ariosto are brought out through a
magic ring. When it was worn on the finger, it preserved from spell;
and carried in the mouth, concealed the possessor from view. Thus, in
the Orlando Furioso, where Ruggiero had Angelica in the lone forest
and secure from sight, she discovers the magic ring upon her finger
which her father had given her when she first entered Christendom and
which had delivered her from many dangers.
“Now that she this upon her hand surveys,
She is so full of pleasure and surprise,
She doubts it is a dream and, in amaze,
Hardly believes her very hand and eyes.
Then softly to her mouth the hoop conveys,
And, quicker than the flash which cleaves the skies,
From bold Rogero’s sight her beauty shrouds,
As disappears the sun concealed in clouds.”[215]
Public-domain text, read in full here on John Shaqi.
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