The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
“This remarkable piece of antiquity is in the highest state of
preservation, and was found at Ghizeh, in a tomb near that excavation
of Colonel Vyse’s called Campbell’s tomb. It is of fine gold; and
weighs nearly three sovereigns. The style of the hieroglyphics is in
perfect accordance with those in the tombs about the Great Pyramid,
and the hieroglyphics within the oval make the name of that Pharaoh
of whom the pyramid was the tomb. The details are minutely accurate
and beautifully executed. The heaven is engraved with stars: the fox
or jackal has significant lines within its contour: the hatchets
have their handles bound with thongs, as is usual in the sculptures;
the volumes have the string which binds them hanging below the roll,
differing in this respect from any example in sculptured or painted
hieroglyphics. The determinative for country is studded with dots,
representing the sand of the mountains at the margin of the valley of
Egypt. The instrument, as in the larger hieroglyphics, has the tongue
and semi-lunar mark of the sculptured examples; as is the case also
with the heart-shaped vase. The name is surmounted with the globe and
feathers, decorated in the usual manner; and the ring of the cartouch
is engraved with marks representing a rope, never seen in the
sculptures: and the only instance of a royal name similarly encircled
is a porcelain example in this collection, inclosing the name of the
father of Sesostris. The O in the name is placed as in the examples
sculptured in the tombs, not in the axis of the cartouch. The
chickens have their unfledged wings; the cerastes its horns, now only
to be seen with the magnifying glass.”
[Illustration: Signet of the actual size.]
[Illustration: (Signet Top and Bottom Seal)]
Public-domain text, read in full here on John Shaqi.
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