The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
Singularly enough, a man named William Shakspeare was at work near
the spot when this ring was picked up.[267] Little doubt can be
entertained that it belonged to the poet and is probably the one
he lost before his death and was not to be found when his will
was executed, the word _hand_ being substituted for _seale_ in the
original copy of that document. The only other person at Stratford
having the same initials and likely to possess such a seal was
William Smith, but he used one having a different device, as may be
seen from several indentures preserved amongst the records of the
corporation. Halliwell believes in the authenticity of this relic.
Mr. Wheeler, its owner, says: “Though I purchased it upon the same
day for 36s. (the current value of the gold) the woman had sufficient
time to destroy the precious _ærugo_, by having it unnecessarily
immersed in _aquafortis_, to ascertain and prove the metal, at a
silversmith’s shop, which consequently restored its original color.”
In the Life of Haydon the painter,[268] we have the following letter
from him to Keats, (March 1, 1818:) “My dear Keats, I shall go mad!
In a field at Stratford-upon-Avon, that belonged to Shakspeare, they
have found a gold ring and seal, with the initials W. S. and a true
lover’s knot between. If this is not Shakspeare’s, whose is it?--a
true lover’s knot! I saw an impression to-day, and am to have one as
soon as possible: as sure as you breathe and that he was the first of
beings, the seal belonged to him.
“O Lord! B. R. HAYDON.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account