The History and Practice of the Art of PhotographySnelling, Henry Hunt
History
The History and Practice of the Art of Photography
Snelling, Henry Hunt
Daguerreotype; Photography
"Placing the paper on some hard body, wash it over on one side--by
means of a very soft camel's hair pencil--with a solution of sixty
grains of bromide of potassium, in two fluid ounces of distilled water,
and then dry it quickly by the fire. Being dry, it is again washed
over with the same solution, and dried as before. A solution of
nitrate of silver--one hundred grains to an ounce of distilled
water--is to be applied over the same surface, and the paper quickly
dried in the dark. In this state the papers may be kept for use.
"When they are required, the above solution of silver is to be
plentifully applied, and the paper placed wet in the camera, the
greatest care being taken that no day light--not even the faintest
gleam--falls upon it until the moment when you are prepared, by
removing the dark slide, to permit the light, radiating from the object
you wish to copy, to act in producing the picture. After a few seconds
the light must be again shut off, and the camera removed into a dark
room." The necessity of removing the camera is now avoided by the use
of the dark slide, already described, covering the picture in the
holder, which alone may be removed.--Amer. Aut.
"It will be found by taking the paper from the holder, that there is
but a very faint outline--if any--yet visible. Place it aside, in
perfect darkness until quite dry; then place it in the mercurial vapor
box (meaning bath) and apply a very gentle heat to the bottom. The
moment the mercury vaporizes, the picture will begin to develope
itself. The spirit lamp must now be removed for a short time, and when
the action of the mercury appears to cease, it is to be very carefully
applied again, until a well defined picture is visible. The
vaporization must then be suddenly stopped, and the photograph removed
from the box. The drawing will then be very beautiful and distinct;
but much detail is still clouded, for the developement of which it is
only necessary to place it in the dark and suffer it to remain
undisturbed for some hours. There is now an inexpressible charm about
the pictures, equaling the delicate beauty of the daguerreotype; but
being very susceptible of change, it must be viewed by the light of a
taper only. The nitrate of silver must now be removed from the paper,
by well washing it in soft water, to which a small quantity of salt has
been added, and it should afterwards be soaked in water only. When the
picture has been dried, wash it quickly over with a soft brush dipped
in a warm solution of hyposulphite of soda, and then wash it for some
time in distilled water, in order that all the hyposulphite may be
removed. The drawing is now fixed and we may use it to procure
positive copies, (the original being termed a negative,) many of which
may be taken from one original."
Public-domain text, read in full here on John Shaqi.
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