The History and Practice of the Art of PhotographySnelling, Henry Hunt
History
The History and Practice of the Art of Photography
Snelling, Henry Hunt
Daguerreotype; Photography
The Roman Astronomers state that they have procured Daguerreotype
impressions of the Nebula of the sword of Orion. Signor Rondini has a
secret method of receiving photographic images on lithographic stone;
on such a prepared stone they have succeeded in impressing an image of
the Nebula and its stars; "and from that stone they have been enabled
to take impressions on paper, unlimited in number, of singular beauty,
and of perfect precision." Experiments have, however, proved that "no
heating power exists in the moon's rays, and that lunar light will not
act chemically upon the iduret of silver."
It was at one time supposed that terrestrial or artificial light
possessed no chemical rays, but this is incorrect--Mr. Brande
discovered that although the concentrated light of the moon, or the
light even of olefiant gas, however intense, had no effect on chloride
of silver, or on a mixture of chloride and hydrogen, yet the light
emitted by electerized charcoal blackens the salt. At the Royal
Polytechnic Institution pictures have been taken by means of sensitive
paper acted upon by the Drummond Light; but it must of course be
distinctly understood, that they are inferior to those taken by the
light of the sun, or diffused daylight.
If our operators could manage to produce good pictures in this way they
would put money in their pockets, as many who cannot find time during
the day would resort to their rooms at night. I throw out the hint in
hopes some one will make the experiment.
I have learned, since the above was written, that an operator in Boston
succeeded a short time since in procuring very good pictures by the aid
of the Drummond Light; but that the intensity of the light falling
directly upon the sitter's face caused great difficulty, and he
abandoned it. This may, probably, be remedied by interposing a screen
of very thin tissue paper tinged slightly of a bluish color.
CHAP. XII.
ON COLORING DAGUERREOTYPES.
Nearly, if not quite all the various colors used in painting may be
made from the five primitive colors, black, white, blue, red and
yellow, but for the Daguerrean artist it would be the best policy to
obtain such as are required by their art already prepared. In a
majority of cases, the following will be found sufficient, viz.
Carmine.
Prussian Blue.
White.
Chrome Yellow, Gamboge, Yellow Ochre; or all three.*
*Gamboge is best for drapery; Ochre for the face.
Light Red.
Indigo.
Burnt Sienna.
Bistre, or Burnt Umber.
If, in coloring any part of a lady's or gentleman's apparel, it is
found necessary to produce other tints and shades, the following
combinations may be used:
Orange--Mix yellow with red, making it darker or lighter by using more
or less red.
Purple--This is made with Prussian blue, or indigo and red. Carmine
and Prussian blue producing the richest color, which may be deepened in
the shadows by a slight addition of indigo or brown.
Public-domain text, read in full here on John Shaqi.
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