The History and Records of the Elephant ClubDoesticks, Q. K. Philander
General
The History and Records of the Elephant Club
Doesticks, Q. K. Philander
American wit and humor
Finally the curtain went up amid the uproarious applause of the
assembled multitude, interrupted only by a small boy in the gallery, who
hissed like a whole flock of enraged wild-geese, having been stationed
there especially for the performance of this sibilant duty by an
avenging washerwoman, to whom one of the amateurs owed four and
sixpence; his dissenting voice was, however, soon hushed by the police,
who put him out, and didn't give him his money back, after which the
exhibition proceeded.
To give a full description of one half of the ridiculous performances
indulged in by these deluded persons--to tell of the new readings which
they gave, and the old readings which they didn't give--to relate how
carefully they avoided the traps, and with what commendable caution they
kept away from the footlights--to give an idea of the bedlamitish
ingenuity they had displayed in the selection of wardrobe, how each one
had put on the most inappropriate articles imaginable, and how they
could not have been more incongruously attired if they had been all
dressed in sheep's grey breeches and straw hats--to dilate upon the
disasters which befell the said wardrobe, how the tunics caught in the
wings, and the shoulder-cloaks got singed by the side-lights; how the
ladies' trains were in everybody's way, and their feathers in
everybody's eyes--how, in their confusion, when they painted their
faces, they put the wrong colors in the wrong places, and some of them
went on with white cheeks, chalked lips, and eyebrows colored a bright
vermilion--how the gilt crowns got bent and battered until they looked
like ancient milk-pans with the bottoms melted out--how the flannel
ermine on the regal calico robes got greasy, and looked like tripe--how
the wax pearls melted and the glass ones broke--how the "supes" painted
their whiskers uneven, and got their wigs on wrong side before--how some
of them couldn't get their armor on at all, but how one enterprising
individual, having succeeded to his satisfaction, came on to deliver a
message, with his sandals in his hand, his helmet on one foot, his
breast-plate on the other, and his leg-pieces strapped on his
shoulders--to tell how the _Ghost_ got chilly and played the last scene
in an overcoat, and proved that he was a substantial Native American
Ghost, by making two extemporaneous speeches, in excellent English, to
the audience--to do full justice to the miscellaneous assortment of
_legs_, then and there congregated, and relate how some were bow-legs,
and some were shingle-legs, some were broomstick-legs, some were wiry
legs, and some were shoulder-of-mutton legs--to give an accurate
relation of the various expedients resorted to, to remedy the most
noticeable defects in those legs, and state that some were padded on the
sides, and some at the ankles, and how, in not a few instances, the
padding slipped away from its original position, thereby putting the
calves on the shins, and causing the knees to resemble deformed
Public-domain text, read in full here on John Shaqi.
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