The History of Antiquity, Vol. 1 (of 6)Duncker, Max
History
The History of Antiquity, Vol. 1 (of 6)
Duncker, Max
History, Ancient
In such a mode of life, which, in its general features, has remained
unchanged for thousands of years, the Arabs of the desert exercised the
virtues of reverence, piety, and attachment to their tribal chiefs; thus
there grew up among them a steadfast, manly character; they were true to
their promise when once given, and displayed a noble hospitality. If any
one came in peace to their tents, drink was given to him by the
daughters of the tribe from the fountains, the men took him as a friend
into their tents and shared their store of dates with him, or
entertained him with a sheep from the flock. When the stranger had once
set his foot in the tent, the host guaranteed his safety with his own
life. When the night came on with her refreshing coolness, the stranger
was required to sit in the starlight in the circle of the tribesmen. He
was expected to tell of his origin, his race, and tribe; and then the
hosts also told the fame of their ancestors and sang the deeds of their
fathers and themselves, the feuds and encounters in which their tribe
had been victorious, the virtues of their favourite horses, and the
swiftness of their camels.
Poetry was the only form of intellectual life known to the tribes of the
desert. The Bedouins had a lively sense of the incidents which broke the
simple loneliness of their lives, and gave them a vigorous and even a
fiery expression. The artless song was the expression of feelings deeply
stirred by sorrow or joy. Such songs were equally adapted for calling
to mind their own deeds and fortunes or those of the tribe, and for
moral exhortation. They were "occasional" pieces. Lament for the dead,
praise of the noblest warrior, the battles and exaltation of the tribe,
the generosity and courage of their own tribe or hatred of the hostile
tribe, derision of the enemy, hunting, weapons, rides through the
desert, horses and camels, are the subjects of this poetry, which is
expressed in short iambic verses. Tradition mentions Lokman as the
oldest poet. He is supposed to be a contemporary of David; and round his
name is gathered a number of proverbs, gnomes, and fables. The short
poems lived on in the tribe, they were sung again and again, extended
and recast. At a later time there were also rhapsodes who could repeat a
store of such poems.
Public-domain text, read in full here on John Shaqi.
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