The History of Antiquity, Vol. 3 (of 6)Duncker, Max
History
The History of Antiquity, Vol. 3 (of 6)
Duncker, Max
History, Ancient
The architecture of Assyria was not essentially different from that of
Babylonia. The Assyrians had brought with them from the lower Euphrates
the habit of building in bricks, and continued to use this style, though
harder material lay at a less distance from them than from the cities
of the Babylonian plain. The temples and the palaces of Asshur, Nineveh,
and Chalah consisted for the most part of unburnt brick-slabs, dried in
the sun and mixed with straw. This material made it necessary here, as
in Babylonia, to make the walls stout, which was also advisable owing to
the summer heat. The thickness varies between five and fifteen feet. The
stone for the substructure and casing, mostly limestone and shell-stone,
was quarried in the adjacent mountains. The buildings were roofed by
beams extending from wall to wall: by this necessity the breadth of the
rooms was limited. As a rule these are narrow, and the want of breadth
is compensated by length. These are the dimensions of the porticoes and
galleries which we can trace in the remains of the royal palaces: the
great portico of the palace of king Assurnasirpal at Chalah (II. 313)
has only a breadth of 35 feet, with a length of 154 feet; the porticoes
in the palace of Kuyundshik are from 150 to 180 feet long, and 40 feet
in width; the great gallery is only 25 feet broad, but more than 200
feet in length. Yet in the palace of king Sargon at Khorsabad, remains
of the bases of pillars have been found. The application of the
brick-vaulted roof in the form of pointed and round arches is shown in
the narrow passage in the building of Shalmanesar II. at Chalah (II.
323), and in some remains of door-arches at Khorsabad. The pictures of
cities in relief also occasionally exhibit arched gateways. The
sculptures in the stone slabs of white, grey, and yellow limestone or
alabaster, which cover the walls and chambers to a height of 10 or 12
feet, were painted, as is shown by numerous traces of colour upon
them.[414] The walls of the chambers above the sculptures, where they
did not make way for window lights, were decked with burnt and glazed
tiles, sometimes coloured and enamelled; the beams of the roofs were
adorned with carved work of wood and ivory, with plates of gold and
silver, and precious stones.[415] The outer walls of the palaces must
also have been cased with slabs of stone.
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