The Greeks were not favoured in the army only. It was part of the political system of Psammetichus to open the mouths of the Nile to them and the Phenicians, to give them access to all the harbours, and allow them, the "unclean" in the view of the older Egyptians, to settle on Egyptian soil. The Greeks soon came in considerable numbers. The Milesians obtained permission to build a citadel on the Bolbitinic mouth, and higher up, at the separation of the Bolbitinic and Canopic arms, they built the city of Naucratis, the name of which was taken, no doubt, from the conflict on the Nile (p. 302). The Phenicians obtained a special quarter on the Nile, "the camp of the Tyrians," in which to erect a temple to the Syrian goddess. Psammetichus continued to sit on the throne of the Pharaohs for 40 years after he had expelled the Assyrians, and obtained the absolute power (from 650-610 B.C.). How far he succeeded, in this space of time, in healing the grievous wounds inflicted on the country by the alternating struggle of Ethiopians and Assyrians, and the war of liberation, the civil war,--in restoring Memphis, Sais, Tanis, and Thebes, after their destruction, we cannot ascertain. But the impulse given to trade and intercourse by the opening of the harbours, the favour shown to the Greeks and Phenicians, in any case increased the welfare of Egypt, and the industrial and artistic activity which begins in the reign of Psammetichus presupposes considerable prosperity in the land. Psammetichus knew how to restore the ancient splendour of the double crown. He built at Karnac and on the island of Philæ. At Sais, the home of his family and his residence, he built a splendid residence. The ancient shrine of Ptah at Memphis he surrounded with a wall, and added a new gate to the temple towards the south. Opposite this gate he built a new hall for the Apis, the walls of which were covered with sculptures, and the porticoes had colossi 12 cubits in height.[576] In the burying-ground at Memphis he caused the temple of Osiris-Apis, "his father," the grave-temple on the eminence, to which the double row of sphinxes led from the city (I. 67), to be restored; "that it might be as it had been before." As the gallery which Ramses II. had caused to be hewn in the rock for the reception of the Apis bulls was no longer sufficient, Psammetichus added one still larger and more beautiful. The two Apis bulls which died in his reign--in the twentieth and the thirty-fifth year--were buried with due solemnity and pomp, the second being placed in the new gallery.[577] From no reign is the number of monuments in these tombs of the Apis, by which those who dedicated them sought to recommend themselves to the favour of Osiris, greater than from the reign of Psammetichus. With his buildings Egyptian art took a new impulse, which was also the last. The forms are lighter, more delicate, more mobile, and far more natural; the hieroglyphics are carried to a marvellous degree of delicacy.