The History of Antiquity, Vol. 3 (of 6)Duncker, Max
History
The History of Antiquity, Vol. 3 (of 6)
Duncker, Max
History, Ancient
This result Sennacherib's inscriptions conceal by speaking very vaguely
of the enemy, and bringing into prominence some captures, which may have
been effected even by the defeated side in the battle. This concealment
was aided by the fact that the rulers who rose again in the districts of
Egypt under Sabakon--the "hereditary lords," who maintained themselves
under Sabakon's successors--could be described as kings, while their
sovereign, Tirhaka, could be kept in the background, and made to appear
as the king of Meroe. Of more importance is the attempt in the annals to
give the appearance of a favourable issue to the campaign in Syria, by
altering the chronology of the events. They represent that, which took
place before the battle of Eltekeh, as taking place after it; the
invasion of Judah, the negotiations with Hezekiah, his payment of
tribute, which according to the account of the Hebrews took place before
the battle at Eltekeh, when Sennacherib was at Lachish, they put after
the battle, so that Sennacherib's campaign appears to close with the
submission of Hezekiah. The inscriptions do not give any false facts:
they even mention the attempt to seduce the soldiers of Hezekiah, saying
that "the good warriors, whom he had brought to Jerusalem for defence,
were inclined to submission;" they only alter the order, and represent
the capture of Ekron, the shutting up and siege of Jerusalem, the
division of the land in the south of Judah among Ashdod, Ekron, and
Gaza, and, finally, the payment of tribute by Hezekiah, as coming after
the battle of Eltekeh, whereas these events preceded it; and in their
usual manner they exaggerate the payments of Hezekiah, when they
represent him as sending "his daughters" to Nineveh. That the
inscription of Nebbi Yunus mentions the subjugation of the land of Judah
(Jehuda) and its king Hezekiah (Chazakiyahu), beside the dethronement of
Luli of Sidon,[310] has no basis beyond the tribute of 330 talents.
Public-domain text, read in full here on John Shaqi.
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