The History of Antiquity, Vol. 4 (of 6)Duncker, Max
History
The History of Antiquity, Vol. 4 (of 6)
Duncker, Max
History, Ancient
wife, when their souls had been freed from the earthly impurity still
adhering to them. For Bhima had trusted too much to his bodily power,
and had eaten too much. Arjuna had loved battle too well, and had been
too harsh against his enemies; Sahadeva was too proud of his wisdom,
Nakula of his beauty; and Draupadi had loved Arjuna too dearly. But
Parikshit reigned in Hastinapura 60 years. He died from the bite of a
snake. Hence his son, Janamejaya, caused all the snakes to be burned in
one great fire of sacrifice. On this occasion he asked Vyasa how the
strife had arisen in old times between the Kurus and the Pandus, for
Vyasa had been a witness: "I would hear from thee, Brahman, the story of
the fortunes of the Kurus and Pandus." So the king concludes. Then Vyasa
bids Vaiçampayana repeat the great poem which he had taught him.
Janamejaya was succeeded by Çatanika, Açvamedhadatta, Asimakrishna, and
Nichakra, in his sway over the Bharatas, Nichakra changed the place of
residence from Hastinapura to Kauçambi lower down the Ganges. And after
Nichakra 24 kings of the race of Pandu reigned over the Bharatas.
No words are needed to point out the absurdity and recent origin of an
arrangement which not only ascribes to Vyasa the reconciliation of the
last Kurus with the Pandus, but also makes him the father of the
progenitors of the two hostile houses of Dhritarashtra and Pandu, and
the author of the great poem. The name Vyasa means collector, arranger;
and if the arranger of the poem is also the father of the ancestors of
the contending tribes, this expression can only mean, that poetry has
invented the whole legend. But a more minute examination limits this
interpretation to a _naïve_ confession on the part of poetry, that she
and not tradition has transferred the origin of the Pandus to the race
of the Kurus, and has represented the progenitors of the hostile races
as brothers.
Public-domain text, read in full here on John Shaqi.
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