The detail and liveliness of the traits in the accounts of Herodotus and Ctesias-Nicolaus, in the fragment of Deinon, and the narrative of Trogus--the warnings and portents--the dialogues and speeches of the action--the letter:--all these point to poetical sources. We found that the accounts of Ctesias of the foundation, rise, and fall of Assyria, and of the rise of Media, were based upon poems, and here also, beyond doubt, poetic traditions form the groundwork. Herodotus, at the beginning of his narrative, tells us: "I write these matters from the accounts given by some of the Persians, who do not exaggerate the life of Cyrus, but wish to narrate the order of events; I am aware that three other different accounts of the life of Cyrus are in existence."[541] Xenophon tells us that Cyrus "is even now the theme of song among the barbarians."[542] In Deinon's fragment it is Angares, the most famous of the Median minstrels, who, while singing at the table of Astyages, warns him in a poetical figure against Cyrus (p. 354); in the account of Nicolaus it is one of the singing women, from whom, at the same time and in a similar figure, this warning comes. At the court of the Sassanids there were singing women who sang to the kings the achievements of old days. Ibn-al-Hareth brought women of this kind from the court of Chosru Nushirvan to the Koreishites, and they sang the deeds of Rustem.[543] According to these statements and indications we may regard it as certain that the elevation of Cyrus and the fall of Astyages was celebrated in song among the Persians and Medes. In spite of the differences between the three narratives, certain traits are common to all. In all dreams announce the future greatness of Cyrus; in Herodotus these appear to Astyages; in Nicolaus, to the mother of Cyrus; in Deinon and Trogus, to Cyrus also. In Herodotus Cambyses is rich in flocks, in Nicolaus the mother of Cyrus tends goats; in Herodotus Cambyses is of a quiet disposition, in Nicolaus he is driven by his son to revolt, and finally disowns the enterprise. All three narratives lay stress on the warnings given to Astyages against Cyrus, though in different ways; all mark strongly the early personal valour of Cyrus, which Xenophon also celebrates. Artembares the Mede is found both in Herodotus and Nicolaus, though in a different relation to Cyrus. In all three accounts a counsellor--Harpagus in the one case, Oebares in the other--exercises the greatest influence on the resolutions of Cyrus. Herodotus and Nicolaus mark the cunning of Cyrus as opposed to Astyages; in both Cyrus gives out that he is carrying out the king's orders in arming the Persians. In Herodotus Cyrus tells the Persians that he does not consider them worse men than the Medes, and they revolt "because they have now got a leader in Cyrus." In Nicolaus Cyrus asks whether there is not a leader who can put an end to the rule of the Medes over better men than themselves.