The gods themselves give them a sign; the seven hawks tear to pieces the two vultures. The poem closes with the death-struggle of the Magians, the readiness of Gobryas to allow himself to be slain with the Magian, _i.e._ the false king, and the happy restoration of the dominion of the Achæmenids. The objections which can be made against this poetical account of the matter are obvious. The disbelief of the Persians in the admissions of Cambyses is hardly credible. If they had doubted at the first, they could doubt no longer when the king had sealed his accusation by his despair and death. When Otanes imparts his discovery to Gobryas and Aspathines, they say that "they had already suspected it;" Darius then comes, and when he has been unanimously received into the conspiracy he says: "that he had hitherto believed that he alone knew the secret, and had hastened from Persia in order to slay the Magian." The poem has no doubt inserted this scepticism of the Persians to explain why they did not rise against the usurper immediately after the death of Cambyses. The discovery by the absence of the ears must also belong to the poem; it is a tale of the harem, in the manner of the poetry of the East. The deed of Prexaspes, whose place is taken by Izabates in Ctesias, is quite incredible and impossible in the context of Herodotus. The Magians had no reason whatever to urge Prexaspes to a public explanation; no one among the people had any suspicion; seven men only are acquainted with the truth, and the Magians have no intimation of their knowledge. If Susa was the scene of the deed, the Magians acted still more perversely, and Prexaspes sacrificed himself at any rate without the hope of any immediate effect. The Susians had not the least interest in the legitimacy or illegitimacy of the king. If the Achæmenids were no longer their masters, so much the better, inasmuch as they now enjoyed that mild dominion, which Herodotus himself ascribes to the Magians. In the narrative of the conspiracy two factors are obviously combined. Otanes is the originator, Darius joins the band later, but has already resolved to slay the Magi. Supported by Gobryas he urges immediate action, and indeed forces the conspirators to act by the threat that, if there is any delay, he will himself reveal the conspiracy, while Otanes, both in the deliberation, and on the way to the palace, is in favour of delay. It was obviously the effect of the poem to bring plainly into light the merit which, on the one hand, Otanes and the five conspirators, and on the other Darius, had earned in the great achievement of the overthrow of the Magi, and to apportion a part of it to each section. The eminent position which the poem allots Otanes is explained by the advantages and privileges which the house of Otanes enjoyed in Persia above the other tribal princes, and which were attributed to the part which he took in the removal of the dominion of the Magi.[200] According to Herodotus