Dr Richard Lovell Edgeworth published in 1817 a work upon “Public Road
and Wheel Carriages,” which contains much that is valuable and useful to
Coachbuilders, and it should be studied carefully by every student in
our art. There is in it an account of the experiments he made for the
Government of Great Britain at Dublin, to ascertain the necessary height
of wheels, length of a carriage, and other important rules of
Coachbuilding.
Mr T. H. Markland read an interesting paper on the origin of carriages
to a learned society, which is published in the twentieth volume of the
“Archæologia,” accompanied with several interesting copies of old
pictures of carriages.
In the “History of Inventions,” by Beckmann, is an interesting article
on coaches, which has been taken as the best authority by all succeeding
writers. The dates he gives are not all accurate.
The next published was, I believe, that by Mr W. Bridges Adams, in 1837,
by Messrs C. Knight & Co., of Ludgate Street, entitled, “English
Pleasure Carriages.” This book should certainly be possessed by all
Coachbuilders who desire information as to the best method of forming
and completing a good carriage. It is full and accurate in the rules
given, and the theories and mechanical principles expounded, giving very
ample details as to materials to be used, and the manner of making the
best use of them. Mr Adams, who was for a time in the firm of Hobson &
Co., has given a description of the different carriages used in his
time, which will form a reference for future ages, as M. Roubo’s
descriptions serve for the previous century.
Since Mr Adams’ work we have a valuable contribution to the history of
the art of Coachbuilding in the treatise by the Count Giovanni Gozzadini
on “The Origin of Coaches,” published in 1864 at Bologna. This is in the
Italian language; a copy is in the British Museum. We find in it a
spirited defence of Italy from the charge of deriving their knowledge of
Carriage-building from France; and the author proves, from the archives
of different towns and noble families, that Italy was second only to
Germany in its wealth and number of carriages during the sixteenth and
seventeenth centuries. Besides these, we have had the _Carriage
Builders’ Art Journal_, which commenced in 1859 and lasted for four
years, a journal which reflected great credit upon its editor, and is
full of information still worthy of our study; the _Art du Carrossier_,
published at Paris; two American periodicals; and the _Saddlers and
Coachbuilders’ Gazette_ in London.
Public-domain text, read in full here on John Shaqi.
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