Armin also notices a contemporary fool named Jack Miller, “one that was
more beloved among ladies than thought can hatch or opinion produce.”
His principal merit seems to have been in imitating players who dressed
in the kitchens and played in the halls of gentlemen’s houses, and who
led him into various mishaps, by practising on his simplicity. He was
famous also for singing a song called Deryes Fair, and for speaking
sentences full of the letters _b_ and _p_, which he could not pronounce
without a world of stammering and stuttering, which was a wonderful
provocative of mirth to noble lords and ladies who hired him on
purpose. Armin saw and heard Miller once exhibit at “a gentleman’s not
far from Upton upon Seuerne in Gloxestershire.” At the table were “many
gallants and gentlewomen, almost the state of the country.” Well, this
state company roared lustily at the fool; one elderly gentlewoman even
fainted with exhaustion from immoderate hilarity, and “one proper young
gentlewoman among the rest, because she would not seem too immodest
with laughter,” confined herself to making a remark which caused ten
times more mirth than the fool’s stammering, and which was received
with an indulgence which a Roman Emperor especially extended to such
comments, by imperial decree.
The last fool in Armin’s ‘Nest,’ is “Blue John.” There is nothing of
him however worth narrating. He was an idiot, protected, lodged, and
boarded at Christ’s Hospital. He joined in the processions of the boys,
imitated the preachers who held forth before them, ran on many messages
and made more mistakes, was void of wit, and yet was sufficiently
esteemed to induce his patrons to have his portrait taken. They who are
curious to see the counterfeit presentment of this species of fool, may
gratify their desire by a visit to the “Hospital,” where the boys still
wear the colour that was worn by “Blue John.”
I may perhaps fittingly notice here, that, during the reign of the
Tudor and Stuart dynasties especially, there was a species of “fool” to
be found in great households, who was there for the profit rather than
the amusement of the master of the house. “It is very strange,” said
Charles II. to some of his courtiers, “that every one of my friends
keeps a tame knave.” The _tame knaves_ thus spoken of (in the ‘Lives
of the Norths,’ ch. ii. p. 247), were persons who had been pronounced
each _Fatuus purus et idiota_, by a jury; and it was a common practice
to beg such a man for a fool, that is to apply to the crown, for the
applicant to have custody of the lands and person of the so-called
“fool.” In illustration of this practice there are several anecdotes
cited by Mr. W. J. Thoms in his ‘Anecdotes and Traditions derived from
MS. Sources,’ and edited by him for the Camden Society. The following
illustration is from the manuscript papers of Sir Nicholas L’Estrange,
and has reference to the reign of which I am now treating.
Public-domain text, read in full here on John Shaqi.
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