On the Issue Roll, 1 March, 1665–6, there is notice of a payment of
£100, being a quarter’s annuity granted to Killigrew and Cecilie, his
wife. In 1666, the same Roll contains notices of payments on account of
two annuities, one of £400 per annum, which he held jointly with his
wife; and one of the annual value of £500. These annuities are duly
ordered to be paid, at later dates, and from various sources. Sometimes
there were no effects in the treasury, and then the Queen’s purse seems
to have been tapped for the payment. In the Pells Enrolments, 1675,
Killigrew receives £200, to be expended by him in support of his office
as Master of the Revels; and, later, we come upon an entry of £1050, to
be paid to him for getting up certain plays during the preceding nine
years. I may add, that in a succeeding year, the 18th of August, 1678,
there was another appointment of greater interest than the above, and
which shows how different, now at least, was the court poet from the
court fool. I allude to the appointment of Dryden as poet laureate. The
letters patent making this appointment are entered on the Pells Book
of Enrolments of the date above mentioned. In this document, Dryden’s
predecessors, Gower and Chaucer, are spoken of as knights; the salary
is fixed at £200 per annum; and directions are given that the butt of
canary, or sack, shall be taken out of the King’s cellars at Whitehall,
“yearly, and once a year.” At the above date, Killigrew was Master of
the Revels; and if he were jester also, it may be said that the court
of England had never seen so accomplished a “fool,” nor so eminent a
laureate, as now figured on the household roll of Charles II.
The position of Tom Killigrew at Court was, however, so closely allied
to that of the official jester, as to forbid its being passed over
without some brief notice. Killigrew was the son of a baronet; and his
earliest vocation and amusement, was that of lingering about the doors
of the theatre till he was invited in to play some imp, or any other
character that a boy could enact. In this way he commenced a career
which ended in his being, with Buckingham and others, one of the “merry
villains” in the household of Charles II.
Public-domain text, read in full here on John Shaqi.
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