priests had no further compliment paid them, whereas the Sub-Prior
invited Lord Clinton’s _Mimi_ to sup with him “in the painted chamber,”
and the chamberlain did honour to the occasion by putting eight massy
wax tapers on the board. The incidents of this convent supper have
not been recorded, but we may, without being uncharitable, judge
them to have been of the jolliest aspect, with the Sub-Prior in the
chair! At what time Lord Clinton saw his _Mimi_ return to his castle,
is not stated. The only further incident we hear of the conventual
body at Maxtoke is, that for a sermon preached before its members by
a travelling “Doctor Prædicans,” the Prior paid the preacher with
sixpence! But, on consideration, that may have been as much as the
sermon was worth.
If any doubt could exist of the identity of the minstrel and the
jester, it might be removed by remembering that the jester alone had
free access to the King, at any hour of the day or night, without
let or hindrance, and without his being required to make previous
application for permission. I believe no other official could enter the
King’s chamber uninvited, unlicensed, or unannounced. Now I find the
Serjeant Minstrel of King Edward IV. doing this, and on a very critical
occasion. The King was in the North. The year was 1470; Edward had
just quelled, or checked, the Lincolnshire insurrection, and he was
passing his time in York, in gallantries and amusements, while Warwick
was proclaiming Henry VI. One night his Serjeant Minstrel, Alexander
Carlisle, rushed into the room where the monarch lay in bed, and bade
him instantly arise, for enemies were abroad, and it would be well for
him to be on the alert. We shall find a similar bold service enacted
by the jester of William of Normandy, when we come to make record of
the individual jesters, rather than of their profession generally. The
above incident will help to show the identity of minstrel and jester;
and the fact that Richard II., when he went to Ireland, had not only
_minstrels_, but _harpers_, in his train, will serve to prove that the
former was _not_ identical with the latter. The minstrel, indeed, sang
or acted, or did both, some _Gest_ or story, from Scripture or romance.
Hence probably the English term Jester,--originally the reciter and
actor of some made-up poetical legend, with incidents added according
to the taste of the hearers. The harper probably only accompanied the
reciter of the Gest on his instrument.
Public-domain text, read in full here on John Shaqi.
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