We see, then, according to Agassiz’s conception, that the Creator, in producing organic forms, goes to work exactly as a human architect, who has taken upon himself the task of devising and producing as many different buildings as possible, for the most manifold purposes, in the most different styles, in various degrees of simplicity, splendour, greatness, and perfection. This architect would perhaps at first choose four different styles for all these buildings, say the Gothic, Byzantine, Chinese, and Rococo styles. In each of these styles he would build a number of churches, palaces, garrisons, prisons, and dwelling-houses. Each of these different buildings he would execute in ruder and more perfect, in greater and smaller, in simpler and grander fashion, etc. However, the human architect would perhaps, in this respect, be better off than the divine Creator, as he would have perfect liberty in the number of graduated subordinate groups. The Creator, however, according to Agassiz, can only move within six groups or categories: the species, genus, family, order, class, and type. More than these six categories do not exist for him. When we read Agassiz’s book on classification, and see how he carries out and establishes these strange ideas, we can scarcely understand how, with all the appearance of scientific earnestness, he can persevere in his idea of the divine Creator as a man-like being (anthropomorphism), for by his explanation of details he produces a picture of the most absurd nonsense. In the whole series of these suppositions the Creator is nothing but an all-mighty man, who, plagued with _ennui_, amuses himself with planning and constructing most varied toys in the shape of organic species. After having diverted himself with these for thousands of years, they become tiresome to him, he destroys them by a general revolution of the earth’s surface, and thus throws the whole of the useless toys in heaps together; then, in order to while away his time with something new and better, he calls a new and more perfect animal and vegetable world into existence. But in order not to have the trouble of beginning the work of creation over again, he keeps, in the main, to his original plan of creation, and creates merely new species, or at most only new genera, and much more rarely new families, new orders, or classes. He never succeeds in producing a new style or type, and always keeps strictly within the six categories or graduated groups.