unknown to his predecessors, it was the ambition of la Torre to make Havana worthy of comparison with the large cities of the mother country. [Illustration: IN OLD HAVANA Havana is at once one of the oldest and of the newest of the great cities of the western world, and the architecture of its streets exhibits samples of the work of five centuries. This scene, showing the side wall of the great Cathedral, is typical of the older portions of the city, with comparatively narrow streets and characteristic Spanish houses.] It seems almost unbelievable that Havana had up to this time lacked proper pavements; that it had no public promenade, such as every European city far inferior in size and population possessed, that the streets were disfigured by unsightly and unsanitary out-houses and that even the government buildings had been put up with little regard for appearance, not to mention beauty. Moreover it is almost incredible that a city, the population of which belonged to the race that had produced some of the greatest dramatists of the world, Calderon and Lope de la Vega, had after an existence of some centuries not yet erected a playhouse, providing wholesome entertainment for her residents there to enjoy the works of their master poets and be for the time of the performance lifted above the purely material pursuits of their daily life. This was the state in which la Torre found Havana and he immediately set to work to study the city's most urgent needs and to raise it as rapidly as possible to the high standard he intended to apply.