The measures adopted by the supreme government in 1784 had checked the progress of Cuba and even diminished the population. In that epoch the allowances from Mexico decreased and the authorities of the island found themselves without means to perform the every day business of the island. The evils produced by these new decrees were set forth in a petition to the king and were amply discussed in the paper. The excitement of the authorities and the population is reflected in various articles of the _Papel Periodico_ which have not only the merit of showing the state of the public mind, but also of proving that the authorities in Cuba itself favored reforms. They certainly would not have been published had they not been approved of by Governor Las Casas. There are interesting communications in the paper from foreigners then visiting in Havana. One of them signing himself "El Europeo imparcial" gives a very appreciative account of the character and customs of the Havanese. He praises their religion, their piety, their zeal for divine worship and devotion to the saints; their courteous and affable conduct, the refinement of their leaders, the magnificence of their festivities and assemblies, both sacred and secular, their streets and promenades, where multitudes of brilliant carriages are to be seen, and other features of public life which in all countries are the first to strike the foreign visitor. A most ambitious and for the time extraordinary work appeared in the year 1787. It was a book by D. Antonio Parra on the fish and crustacea of the island, illustrated by the Cuban Baez. It was the first scientific work written and published in Cuba, and seems for some time to have remained the only one. For until the end of the century the literature produced had a distinctly dilettante character. The fable, epigram and satire occasionally relieved the flood of lyric verse. Most of this appeared anonymously; or the writers used pseudonyms or signed their names in anagrams. P. José Rodriguez, the author of "The Prince Gardener," the comedy popular in Havana at that time, wrote under the pen-name "Capucho" a number of gay decimas, poems in the Spanish form of ten lines of eight syllables each. But none of these works were of a quality to call for serious criticism and had no merits that insured for them a permanent place in what was ultimately to be known as Cuban literature; for this literature dates only from the nineteenth century. CHAPTER XV