He saw, indeed, with great clearness after a month or so that Louie's wildness was by no means the wildness of an ignorant innocent, likely to slip unawares into perdition, and that, while she had a passionate greed for amusement and pleasure, and a blank absence of principle, she was still perfectly alive to the risks of life, and meant somehow both to enjoy herself and to steer herself through. But this gradual perception--that, in spite of her mode of killing spare time, she was not immediately likely to take any fatal false step, as he had imagined in his first dread--did but increase his inward repulsion. A state of feeling which was the more remarkable because he himself, in Ancrum's eyes, was at the moment in a temper of moral relaxation and bewilderment! His absorption in George Sand, and through her in all the other French Romantics whose books he could either find for himself or borrow from Barbier, was carrying a ferment of passion and imagination through all his blood. Most social arrangements, including marriage, seemed to have become open questions to him. Why, then, this tone towards Louie and her friends? Was it that, apart from the influence of heredity, the young fellow's moral perception at this time was not ethical at all, but aesthetic--a matter of taste, of the presence or absence of certain ideal and poetic elements in conduct? At any rate his friendship for old Barbier drew closer and closer, and Ancrum, who had begun to feel a lively affection for him, could see but little of him. As to Barbier, it was a significant chance which had thrown him across David's path. In former days this lively Frenchman had been a small Paris journalist, whom the _coup d'état_ had struck down with his betters, and who had escaped to England with one suit of clothes and eight francs in his pocket. He reminded himself on landing of a cousin of his mother's settled as a clerk in Manchester, found his way northwards, and had now, for some seventeen years, been maintaining himself in the cotton capital, mainly by teaching, but partly by a number of small arts--ornamental calligraphy, _menu_-writing, and the like--too odd and various for description. He was a fanatic, a Red, much possessed by political hatreds which gave savour to an existence otherwise dull and peaceable enough. Religious beliefs were very scarce with him, but he had a certain literary creed, the creed of 1830, when he had been a scribbler in the train of Victor Hugo, which he did his best to put into David.