David went into the stone-built cottage with his guide, and was
shown in the little musty front room a bookcase full of books which
made his eyes gleam with desire. The half-curbed joy and eagerness
he showed so touched the sexton that, after inquiring as to the
lad's belongings, and remembering that in his time he had enjoyed
many a pipe and 'glass o' yell' with 'owd Reuben Grieve' at the
'Brown Bess,' the worthy man actually lent him indefinitely three
precious volumes--'Shirley,' 'Benjamin Franklin's Autobiography,'
and 'Nicholas Nickleby.'
David ran off hugging them, and thenceforward he bore patiently
enough with the days of driving and tramping which remained, for
the sake of the long evenings when in some lonely corner of moor
and wood he lay full length on the grass revelling in one or other
of his new possessions. He had a voracious way of tearing out the
heart of a book first of all, and then beginning it again with a
different and a tamer curiosity, lingering, tasting, and digesting.
By the time he and Reuben reached home he had rushed through all
three books, and his mind was full of them.
'Shirley' and 'Nicholas Nickleby' were the first novels of modern
life he had ever laid hands on, and before he had finished them he
felt them in his veins like new wine. The real world had been to
him for months something sickeningly narrow and empty, from which
at times he had escaped with passion into a distant dream-life of
poetry and history. Now the walls of this real world were suddenly
pushed back as it were on all sides, and there was an inrush of
crowd, excitement, and delight. Human beings like those he heard of
or talked with every day--factory hands and mill-owners, parsons,
squires, lads and lasses--the Yorkes, and Robert Moore, Squeers,
Smike, Kate Nickleby and Newman Noggs, came by, looked him in the
eyes, made him take sides, compare himself with them, join in their
fights and hatreds, pity and exult with them. Here was something
more disturbing, personal, and stimulating than that mere
imaginative relief he had been getting out of 'Paradise Lost,' or
the scenes of the 'Jewish Wars'!
By a natural transition the mental tumult thus roused led to a more
intense self-consciousness than any he had yet known. In measuring
himself with the world of 'Shirley' or of Dickens, he began to
realise the problem of his own life with a singular keenness and
clearness. Then--last of all--the record of Franklin's life,--of
the steady rise of the ill-treated printer's devil to knowledge and
power--filled him with an urging and concentrating ambition, and
set his thoughts, endowed with a new heat and nimbleness, to the
practical unravelling of a practical case.
Public-domain text, read in full here on John Shaqi.
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