The History of Duelling. Vol. 1 (of 2)Millingen, J. G. (John Gideon)
Philosophy
The History of Duelling. Vol. 1 (of 2)
Millingen, J. G. (John Gideon)
Dueling
Parliamentary debates and studied imitations of British extemporaneous
eloquence, and paper-wars, led to constant disputes. St. Marcellin,
a distinguished literary character, was killed by Fayau, his bosom
friend. St. Morys, Lieutenant-colonel of the Gardes du corps, was
killed by Colonel Barbier Dufay, and Beaupoil de St. Aulaire paid with
his life a paragraph in his printed oration on the Duke de Feltre.
In consequence of this offensive publication, St. Aulaire was first
called out by the son of the deceased duke; he then had to fight a
cousin of the General M. de Pierrebourg: the parties met, when St.
Aulaire proposed the sabre, and Pierrebourg wished for the sword, but
conceded the point to his adversary; both were perfectly cool, so much
so indeed, that at the suggestion of St. Aulaire, they changed their
ground, as the sun was shining on his antagonist. St. Aulaire wounded
Pierrebourg in the knee, but being uncovered, the other gave point,
and wounded him between the ribs, when throwing away his sabre, he
exclaimed, “I fear that the wound is too deep;” to which the seconds
replied, “It is unfortunate, but it was all fair play.” St. Aulaire
expired a few minutes after.
Literary duels became frequent, especially on account of political
and historical works. Philippe de Ségur, author of the Campaign of
Russia, had to meet General Gourgaud, one of Napoleon’s aide-de-camps,
when the author was wounded. A Neapolitan colonel of the name of Pépé
challenged the author of a work, in which he had reproached Italy with
its pusillanimity, and obtained the satisfaction of wounding him, to
prove the incorrectness of his statement.
Two enthusiastic novel writers fought in defence of classical and
romantic literature, firing at each other four times, and only
separated when the severity of their wounds prevented further
hostilities. A desperate duel was fought between M. Raynouard,
commanding the Caravanne, and M. Garnerey, the artist, who had been
sent to paint the battle of Navarino. It appears that frequent
altercations had arisen between the parties when on board, and
Garnerey, labouring under fever, was landed by the captain at the
Lazaret of Toulon. The incensed artist wrote a letter, in which he
complained that he had been cruelly deprived of medical aid; in
consequence of which, Raynouard called him out as soon as they were
released from quarantine, when Garnerey shot him in the hip. He only
survived the wound nine days.
Public-domain text, read in full here on John Shaqi.
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