The History of Duelling. Vol. 1 (of 2)Millingen, J. G. (John Gideon)
Philosophy
The History of Duelling. Vol. 1 (of 2)
Millingen, J. G. (John Gideon)
Dueling
The practice of these scientific assassins appears to have been
singular; and we find Lampugnano, previous to his murdering Galeas
Maria Sforza, getting a portrait of his victim painted, and exercising
himself in stabbing it in various parts, until he found himself
sufficiently dexterous to kill him in church with seven mortal stabs.
In 1528, four Florentines fought in presence of the Prince of Orange,
when one of the combatants summoned his antagonist whom he had
overthrown to surrender; but the prostrate champion exclaimed, “I
surrender to the Prince!” “There is no other prince here but myself,”
replied his adversary; and with a dagger at his throat he compelled
him to submit.
In the expedition of the Duke de Guise, in 1557, under Henri II, a duel
was fought at Ferrara, in presence of the Duke Hercules d’Este, and his
brother the cardinal, in a hall of the palace, which was lighted up
with torches on the occasion.
The Prince of Melfe Caraccioli, who commanded the forces of Francis
I. from 1545 to 1550, issued many orders to check the practice of
duelling: one of them was to compel duellists to fight upon the parapet
of the bridge of Turin, so that the combatant who lost his equilibrium,
ran a fair chance of being drowned.
The Italian princes not unfrequently were engaged in murderous
quarrels, although it is related of Humbert II, the dauphin of
Viennois, that on receiving a challenge from Amédée, Count of Savoy,
he sent the following reply to his herald:--“My friend, tell your
master, that the virtues of a prince do not lie in corporeal strength;
but that if he is desirous of displaying his prowess, I have not a
bull in my possession that is not stronger than he is; if he wishes to
ascertain the fact, I shall have great pleasure in sending him one of
the fiercest.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account