The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present timeChallamel, Augustin
History
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Challamel, Augustin
Clothing and dress -- France -- History
In 1650, Mme. Belot, the wife of a “Maître des requêtes,” first wore and
set the fashion of the “justaucorps,” which was like the “hongreline” of
former years, but shaped in some respects like a man’s pourpoint. As a
riding or hunting costume it was also adopted by the bourgeoises.
Scarfs came again into fashion in 1656. But some disbanded soldiers
amused themselves by wandering through the streets of Paris and snatching
those light garments from the shoulders of ladies passing by, on the
pretext that Louis XIV. had forbidden the wearing of them. A few of these
scoundrels were hanged, without ceremony, by the police.
During the Carnival of 1659, “the court,” says Mdlle. de Montpensier,
“only arrived at the beginning of February.... We often masqueraded in
most delightful fashion. On one occasion, Monsieur, Mdlle. de Villeroy,
Mdlle. de Gourdon, and I, wore cloth of silver with rose-coloured braid,
black velvet aprons, and stomachers trimmed with gold and silver lace.
Our dresses were cut like those of the Bresse peasants, with collars and
cuffs of yellow cloth in the same style, but of somewhat finer quality
than is used by them, and edged with Venetian lace. We had black velvet
hats entirely covered with flame-coloured, pink, and white feathers.
My bodice was laced up with pearls and fastened with diamonds, and
had diamonds all about it. Monsieur and Mdlle. de Villeroy also wore
diamonds, and Mdlle. de Gourdon emeralds. Our black hair was dressed in
the Bresse peasant style, and we carried flame-coloured crooks ornamented
with silver. For shepherds we had the Duc de Roquelaure, the Comte de
Guiche, Péquilain, and the Marquis de Villeroy, &c.”
In 1662, “pleasure and plenty were reigning at court; the courtiers lived
high and played high. Money was abundant, every purse open, and young men
got as much cash as they chose from the notaries. There was a constant
succession of feasts, dances, and entertainments.”
In 1664, Louis XIV. distributed presents of dress-stuffs to all his
courtiers, who were positively no longer free to dress as they liked.
After he had built the pavilion at Marly, every court lady found a
complete costume, and a quantity of the most exquisite lace, in her
wardrobe. And when by special favour the royal princes were allowed to
obtain embroidery in blue silk, it was officially reckoned among the
“benefits” received from the king.
Materials were magnificent! Gros de Naples was brocaded with gold leaves
and red, violet, or gold and silver flowers.
The “Mercure Galant” of the same year contained the following letter on
the fashions, addressed to a countess in the country:—
“As I am aware, madame, that your country neighbours are much interested
in the new fashions, I paid a visit lately to one of those ladies who can
only talk of skirts and finery....
Public-domain text, read in full here on John Shaqi.
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