The History of Freedom, and Other EssaysActon, John Emerich Edward Dalberg Acton, Baron
Philosophy
The History of Freedom, and Other Essays
Acton, John Emerich Edward Dalberg Acton, Baron
History; History -- Philosophy; Liberty -- History
The Catholic Church receives, therefore, very imperfect measure at his
hands. Her spiritual character and purpose he cannot discern behind the
temporal instruments and appendages of her existence; he confounds
authority with influence, devotion with bigotry, power with force of
arms, and estimates the vigour and durability of Catholicism by
criterions as material as those of the philosophers he has so vehemently
and so ably refuted. Most Protestant writers fail in approbation; he
fails in appreciation. It is not so much a religious feeling that makes
him unjust, as a way of thinking which, in great measure, ignores the
supernatural, and therefore precludes a just estimate of religion in
general, and of Catholicism in particular. Hence he is unjust rather to
the nature than to the actions of the Church. He caricatures more than
he libels her. He is much less given to misrepresentation and calumny
than Macaulay, but he has a less exalted idea of the history and
character of Catholicism. As he underrates what is divine, so he has no
very high standard for the actions of men, and he is liberal in
admitting extenuating circumstances. Though he never suspends the
severity of his moral judgment in consideration of the purpose or the
result, yet he is induced by a variety of arguments to mitigate its
rigour. In accordance with the theory he has formerly developed, he is
constantly sitting in judgment; and he discusses the morality of men and
actions far oftener than history--which has very different problems to
solve--either requires or tolerates. De Maistre says that in our time
compassion is reserved for the guilty. Mr. Goldwin Smith is a merciful
judge, whose compassion generally increases in proportion to the
greatness of the culprit; and he has a sympathy for what is done in the
grand style, which balances his hatred of what is wrongly done.
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