“Intérieur.”—WILLIAM ARCHER. “La Mort de Tintagiles.”} “Alladine et Palomides.”}—ALFRED SUTRO. VILLIERS DE L’ISLE ADAM “La Révolte.”} “L’Evasion.” }—THERESA BARCLAY. SERGIUS STEPNIAK “The Convert.”—CONSTANCE GARNETT. EMILE VERHAEREN “Les Aubes.”—ARTHUR SYMONS. AUGUST STRINDBERG “The Father” (_Fadren_).—N. ERICHSEN. OSTROVSKY “The Storm.”—CONSTANCE GARNETT. BRIEUX “Les Bienfaiteurs.”—LUCAS MALET. HENRYK SIENKIEWICZ “On a Single Card.”—E. L. VOYNICH. Arrangements are also in progress with representative dramatists of Germany, Spain, Italy, and other countries. Further translations have been promised by Dr GARNETT, Messrs WALTER LEAF, JUSTIN HUNTLY MACCARTHY, G. A. GREENE, &c. _KNAPP, ARTHUR MAY._ FEUDAL AND MODERN JAPAN, by Arthur May Knapp. 2 vols., with 24 photogravure illustrations of Japanese life, landscape and architecture. Small fcap. 8vo, ¼-bound, white cloth, blue sides, gilt top. 8s. net. The work of one who has frequently visited, and for a long time resided in Japan, thus enjoying peculiar advantages for observation and comment. The scope of the book includes a study of the history, religion, language, art, life, and habits of the Japanese. Though written in a thoroughly appreciative spirit, it avoids the indiscriminating praise which has characterised so many works on Japan; and while covering ground which has become somewhat familiar, it presents many fresh points of view, and furnishes much information heretofore inaccessible to the ordinary reader. _ROSSETTI, DANTE GABRIEL._ THE BLESSED DAMOZEL, by Dante Gabriel Rossetti. With an Introduction by Wm. Michael Rossetti, a reproduction in Photogravure of D. G. Rossetti’s crayon study for the head of the Blessed Damozel, and decorative designs and cover by W. B. Macdougall. Fcap. 4to, 1/4-bound, art vellum, gilt top. 5s. net. (_See Special Prospectus._) The poem given here is as it originally appeared in _The Germ_, and consequently the version is one hitherto practically inaccessible. Mr W. M. Rossetti’s Introduction deals fully with the history of its composition and the changes through which it subsequently went. _Illustrated London News._—“A fine bit of decorative art and an excellent sample of modern format. The frontispiece is very beautiful. Mr Macdougall’s designs are rich.” _The Sketch._—“It is really beautifully illustrated. The book is a veritable art treasure.” _Speaker._—“This artistic and singularly interesting volume.” _Birmingham Gazette._—“Every page contains a broad framework of beautiful design, in which the artist manifests his power in glorious sweeping lines and delicate tracery. A treasure to be appreciated. The noble poem is nobly decked out in every respect.” _Manchester Courier._—“The decorative designs are at once original, harmonious and beautiful. A work which will be welcomed alike for its high literary value, and for the high artistic standard to which it attains.”