Mr. Frazer’s theory is supported by exceedingly few facts whereas there is an enormous mass of cases in which we have no right whatever to infer a connection with totemism. It is, indeed, impossible to see how most of the practices considered in this chapter could have originated in this way. How is it possible to explain the knocking out of the upper front teeth or the thrusting of a stick through the nose as imitations of totem animals? And how are we to connect the mutilations of the ears and other parts of the body, and the various modes of self-decoration, with totemism? Since all such practices are universally considered to improve the appearance, and, as will be shown presently, take place at the same period of life, we may justly infer that the cause to which they owe their origin is fundamentally one and the same. As for tattooing, Professor Gerland assumes that the tattooed marks were originally figures of totem animals, though they are no longer so;[1014] but an assumption of that kind is not permissible in a scientific investigation. And even in those rare cases, where a connection between tattooing and totemism undoubtedly exists, we cannot be sure whether this connection is not secondary. At present tattooing is everywhere regarded exclusively, or almost exclusively, as a means of decoration, and Cook states expressly that, in the South Sea Islands, at the time of their discovery, it was in no way connected with religion.[1015] Nor can I agree with Mr. Spencer that tattooing and other kinds of mutilation were practised originally as a means of expressing subordination to a dead ruler or a god.[1016] Equally without evidence is Mr. Colquhoun’s opinion that the custom originated in the wish either to make a man more fearful in battle, or to render the body invulnerable by the tattooing of charms on it.[1017] It is true, no doubt, that this practice subserves various ends. Mr. Keyser speaks of a chief in New Guinea who had sixty-three blue tattoo lines on his chest, which represented the number of enemies he had slain.[1018] Moreover, the tattooed marks make it possible for savages to distinguish their own clansmen from their enemies;[1019] though I cannot think, with Chenier,[1020] that this was their original object. Again, many ornaments are really nothing but trophy-badges, and many things used for ornaments were at first substitutes for trophies, having some resemblance to them;[1021] whilst others are carried as signs of opulence.[1022] I do not deny, either, that men may sometimes paint their bodies in order to inspire their enemies with fear in battle, or that the use of red ochre and fat is good as a defence against changes of weather, flies, and mosquitoes.[1023] Nevertheless, it seems to be beyond doubt that men and women began to ornament, mutilate, paint, and tattoo themselves chiefly in order to make themselves attractive to the opposite sex,—that they might court successfully, or be courted.