This legend is especially instructive because it shows how a custom
which had originally nothing to do with religion may in time take a
more or less religious character. Professor Wundt holds that, in most
cases, religious ideas are the original sources from which customs
flow;[1079] but it is far more probable that the connection between
religion and custom is often secondary. Nearly every practice which for
some reason or other has come into fashion and taken root among the
people, is readily supposed to have a divine sanction; and this is one
of the reasons why conservatism as to religion is so often accompanied
by conservatism in other matters. This must especially be the case
among savage men who identify their ancestors with their gods, and
consequently look upon ancient customs as divine institutions.
It is, indeed, difficult to believe that the motives which gave rise to
tattooing can have been different from those which led to the painting
of the body. The chief distinction between the two is, that the
tattooed marks are indelible, being neither extinguished nor rendered
fainter by lapse of time. Hence the prevalence of tattooing may be
explained by a general desire among savages to make the decorations of
the body permanent. Sometimes, too, the custom seems to be kept up as a
test of courage.[1080]
Even to European tastes the incised lines and figures have in many
cases a certain beauty. Thus, speaking of the Gambier Islanders,
Beechey assures us that the tattooing undoubtedly improves their
appearance; and Yate remarks that “nothing can exceed the beautiful
regularity with which the faces and thighs of the New Zealanders are
tattooed,” the volutes being perfect specimens, and the regularity
mechanically correct.[1081] Forster observed that, among the natives
of Waitahoo (Marquesas Islands), the punctures were disposed with the
utmost care, so that the marks on each leg, arm, and cheek and on the
corresponding muscles were exactly similar.[1082] Among the Tahitians,
according to Darwin, the ornaments follow the curvature of the body so
gracefully, that they have a very pleasing and elegant effect; and,
among the Easter Islanders, “all the lines were drawn with much taste,
and carried in the direction of the muscle.”[1083] The fact that the
tattooed lines follow closely the natural forms of the body in order to
render them more conspicuous, has been observed in the case of other
peoples also,[1084] and it would be ridiculous to regard such marks as
transformed images of gods.
Public-domain text, read in full here on John Shaqi.
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