After the religious dramas, the Pageants gratified the desire for spectacle and show. Pageants were held on every grand occasion: to welcome the sovereign: to honour the new Lord Mayor: to celebrate a victory. Then they erected triumphal arches adorned with pasteboard castles, ships, houses, caves--all kinds of things. They either carried with them, as part of the procession, or they stationed at some point, the City Giants. London was not alone in having giants. York, Norwich, Chester, possessed city giants. In Belgium the city giant is still carried in procession in Antwerp, Douai, and other towns. The figure of the giant symbolised the strength and power of the city. After Agincourt Henry V. was welcomed at the south gate of London Bridge by two giants: his son, Henry VI., was also received by a giant seventeen years later. Two giants stood on London Bridge to welcome Philip and Mary: the same two, at Temple Bar, afterwards welcomed Elizabeth. The pair of giants now in Guildhall were carved in 1707. The names Gog and Magog are wrong. The original names were Gogmagog and Corineus. The following account of the Pageant to celebrate the return of the victor Henry V. after Agincourt is preserved in Stow's 'London.' The Mayor and Aldermen, dressed in scarlet, with collars and chains, with 400 citizens in 'murrey,' all well mounted, rode out to meet the King at Blackheath. Then, after formal greetings, they all rode to London. In Southwark the King was met by all the London clergy in their most sumptuous robes, with crosses and censers. At the entrance of London Bridge, on the top of the tower, stood a pair of giants, male and female, the former bearing in his right hand an axe, and in his left hand the keys of the City. Around them stood a band of trumpeters. On the drawbridge were two lofty columns, on one of which stood an antelope and on the other a lion--both the King's crests. At the other end of the Bridge was another tower, and within it an image of St. George, with a great number of boys representing angels. These sang an anthem, 'Give thanks, O England, to God for victory.' This is supposed to be preserved in the song 'Our King went forth to Normandy.' On Cornhill there was erected a tent of crimson cloth ornamented with the King's arms. Within it was a company of 'prophets' in golden coats. As the King approached they set loose a great number of small birds, which fluttered about while the 'prophets' sung 'Cantate Domino canticum novum'--'Sing unto the Lord a new song.' In Cheapside the conduit was hung with green. Here sat the twelve Apostles and the twelve Kings, Martyrs and Confessors of England. They also sung a chant and made the conduit run with wine. This represented the reception of Abraham by Melchisedek.